@article { , title = {A’ that’s past forget – forgie: national drama and the construction of Scottish national identity on the nineteenth-century stage.}, abstract = {Focused on dramatic adaptations of Walter Scott’s Rob Roy and Waverley for the Theatre Royal, Edinburgh, by Isaac Pocock and John W. Calcraft, this essay explores "how the conflicted Lowland and Highland traditions became incorporated into the new image of the nation," offering "a theatrical reflection of the dynamic process of identity building in the nineteenth-century Scotland."}, issn = {0039-3770}, issue = {2}, journal = {Studies in Scottish literature}, note = {INFO INCOMPLETE (Info via contact 2/12/2021 LM) PENDING PERMISSION (version = VOR; embargo = none; licence = Pub's own; POLICY = https://scholarcommons.sc.edu/ssl/rights\_permissions.html ) DOCUMENT READY (VOR downloaded from https://scholarcommons.sc.edu/ssl/vol44/iss2/5/ ) ADDITIONAL INFO - Contact: Paula Sledzinska Set Statement: (This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. The final published version can be found at https://scholarcommons.sc.edu/ssl/vol44/iss2/5/. It is only to be used for private study and non-commercial purposes, please contact the editors for permission of reuse.)}, pages = {37-50}, publicationstatus = {Published}, publisher = {University of South Carolina Libraries}, url = {https://rgu-repository.worktribe.com/output/1538624}, volume = {44}, keyword = {Theatre, Politics, Walter Scott, Scottish national drama, National identity}, year = {2018}, author = {Sledzinska, Paula} }