@misc { , title = {In the shadow of Alexander the Great: censorship, ideology and contemporary art in Macedonia.}, abstract = {In this chapter the author discusses how censorship affects discourses of contemporary art in the Republic of Macedonia. The cultural, political and social contexts in Macedonia are outlined and differing standpoints on what constitutes contemporary art practice in that country are discussed. Two case studies are highlighted to allow the reader to gain an understaning of how censorship is deployed as a tactic in erasing, or in rendering illegitamte, critical contemporary art.}, isbn = {9781788313834}, note = {INFO COMPLETE (Info from contact 10/12/2018, checked on pub website 11/3/2019 LM) PERMISSION GRANTED (version = AAM; embargo = 6 months; licence = BY-NC 23/4/2019 -- I.B. Tauris only permit Gold items to be uploaded, however now an imprint of Bloomsbury checking permission with them 11/3/2019 LM) DOCUMENT RECEIVED (AAM rec'd from 1/5/2019 LM -- requested AM from contact 23/4/2019 -- ask contact for AAM once permission granted 11/3/2019 LM)}, pages = {137-155}, publicationstatus = {Published}, publisher = {Bloomsbury Publishing}, url = {https://rgu-repository.worktribe.com/output/228312}, keyword = {Curatorship, Censorship, Contemorary art, Macedonia}, year = {2018}, author = {Blackwood, Jon} editor = {Kennedy, Roisin and Coulter, Riann} }