@article { , title = {The legal rights of workers and volunteers at the Edinburgh Festival Fringe.}, abstract = {Purpose: Against the background of the biggest arts festival in the world, there have been some shocking findings recently about the treatment of performers and other workers at the Fringe. The purpose of this paper is to consider the type of treatment a significant number of Fringe workers experience and how it might be dealt with under the law. The mistreatment of workers includes being: required to work excessively long hours, paid low wages or no wages, subject to sexual or street harassment, lookism, ageism or deprivation of other employment rights. What is unusual about Fringe workers is they normally only work for a short time (often a maximum of two months). Also, in respect of performers and other theatre workers, they might be inclined to work on a voluntary, unpaid basis to gain the necessary experience to kickstart their careers. Employers will often be theatrical promoters in charge of productions at a number of venues. This paper highlights the issues surrounding working at the Fringe and identifies the employment law issues for its workers. This involves identifying likely breaches of legislation under the civil law and contract law by employers. Also, the consideration of how the criminal law could apply to the treatment of workers is undertaken. Finally, it involves an analysis of how the rights of Fringe workers could be better protected. The findings and recommendations in this paper will have application to any situation where someone is employed as a volunteer or worker in an artistic setting on a short-term basis. Design/methodology/approach: This paper is a review of sources drawn from articles in law journals, newspapers, etc. Findings: The findings of this paper suggest that there is a need for reform of the law. Research limitations/implications: This paper focuses on improving the rights of Fringe workers who have a history of being neglected or abused. Practical implications: This paper ensures improved rights for Fringe workers. Social implications: This paper analyses issues that are relevant for all workers in the arts at festivals, etc., throughout the UK. Originality/value: This paper is extremely original.}, doi = {10.1108/IJLMA-03-2020-0082}, eissn = {1754-2448}, issn = {1754-243X}, issue = {1}, journal = {International journal of law and management}, note = {INFO COMPLETE (Now published, checked and updated 14/1/2021 LM -- Still EarlyCite 27/10/2020 LM -- Info via WoS alert 11/9/2020 LM) PERMISSION GRANTED (version = AAM; embargo = none; licence = BY-NC; SHERPA = http://v2.sherpa.ac.uk/id/publication/2729 ) DOCUMENT READY (AAM rec'd from contact 21/9/2021 LM -- AAM requested from s.middlemiss1@outlook.com 11/9/2020 LM) ADDITIONAL INFO - Contact: Sam Middlemiss (Set Statement - This author accepted manuscript is deposited under a Creative Commons Attribution Non-commercial 4.0 International (CC BY-NC) licence. This means that anyone may distribute, adapt, and build upon the work for non-commercial purposes, subject to full attribution. If you wish to use this manuscript for commercial purposes, please contact permissions@emerald.com )}, pages = {51-64}, publicationstatus = {Published}, publisher = {Emerald}, url = {https://rgu-repository.worktribe.com/output/966884}, volume = {63}, keyword = {Arts, Discrimination, Edinburgh, Employees' rights, Employment protection, Harassment, Performers, Remuneration, Voluntary workers, Working time}, year = {2021}, author = {Middlemiss, Sam} }