Outputs (380)

How might we revalue traditional ways of making? (2004)
Book
DOUGLAS, A. 2004. How might we revalue traditional ways of making? A research project revaluing Shetland knitting. Essay accompanying Douglas, A. (ed.) Maakin Lab. Aberdeen: Robert Gordon University.

The Maakin Lab project was developed in partnership with the Shetland College Department of Textiles and Design, On the Edge research and artist Susan Benn of PAL. The research challenge offered up by the project partners was how to revalue tradition... Read More about How might we revalue traditional ways of making?.

Chameleon. (2004)
Physical Artefact
BUCKLEY, J. 2004. Chameleon. [Lighting installation].

This installation was part of the EcoMetro Exhibition that occurred during the Gwangju Biennale. It was installed in one of the subway trains and in the Geumnamro-4 station in Gwangju, Korea.

Slinky tower. (2004)
Physical Artefact
BUCKLEY, J. 2004. Slinky tower. [Lighting installation].

This artwork was commissioned by the New Royal Aberdeen Children's Hospital as part of the hospital's arts project.

Celestial ceiling: contemporary art, built heritage and patronage. (2004)
Book
DOUGLAS, A. (ed.) 2004. Celestial ceiling: contemporary art, built heritage and patronage. Aberdeen: Robert Gordon University.

The Celestial Ceiling project was developed in partnership with Charles Burnett of Duff House, Banff, the Schleiffer family of Cullen House, On the Edge Research and the artists John McGeoch and Robert Orchardson. Duff House, an Adams building, is pa... Read More about Celestial ceiling: contemporary art, built heritage and patronage..

Inthrow. (2004)
Book
DOUGLAS, A. (ed.) 2005. Inthrow. Aberdeen: Robert Gordon University.

Inthrow was developed in partnership with Chris Fremantle of the Scottish Sculpture Workshop, On the Edge Research and lead artist Gavin Renwick. The Scottish Sculpture Workshop (SSW) is based in the rural village of Lumsden, Aberdeenshire. The chall... Read More about Inthrow..

The dynamic of the edge: practice led research into the value of the arts in marginal spaces. (2004)
Presentation / Conference
DOUGLAS, A., FREMANTLE, C. and DELDAY, H. 2004. The dynamic of the edge: practice led research into the value of the arts in marginal spaces. Presented at Sensuous knowledge 1 (SK1): creating a tradition, 26-28 October 2004, Solstrand, Norway.

This paper articulates an approach to art and design practice that questions two fundamental assumptions: firstly, it is not framed by the creative practice of an individual artist delivering an authored artwork to a public or audience; secondly, it... Read More about The dynamic of the edge: practice led research into the value of the arts in marginal spaces..

The slapstick mystics with sticks. [Performance] (2004)
Exhibition / Performance
The slapstick mystics with sticks. Performed on 15-18 October 2004, Frieze Art Fair, London.

The Slapstick Mystics with Sticks was one of ten international artist commissions for Frieze Projects at the Frieze Art Fair, 15-18 October 2004, in London. The Slapstick Mystics with Sticks performance occurred unannounced at the entrance to the fai... Read More about The slapstick mystics with sticks. [Performance].

Craft connexity: developing a sustainable model for future craft education. (2004)
Conference Proceeding
MALINS, J., PRESS, M. and MCKILLOP, C. 2004. Craft connexity: developing a sustainable model for future craft education. In Proceedings of the Challenging craft international conference, 8-10 September 2004, Aberdeen, UK. Aberdeen: Gray's School of Art.

Craft is an anachronism “ discuss ¦ Some twenty-five years ago, on applying for a place at a college of art to study ceramics, Julian was asked to write an essay on the above topic. Naturally he was keen to impress so he responded to the question by... Read More about Craft connexity: developing a sustainable model for future craft education..

Scenes from a northern art school. (2003)
Physical Artefact
CRANSTON, A. 2003. Scenes from a northern art school. [Paintings].

A series of paintings of studios within Gray's School of Art at Robert Gordon University in Aberdeen. Done in situ, observing specific locations, they serve as universal signifiers. The paintings were exhibited as part of a group exhibition, 'Albatro... Read More about Scenes from a northern art school..

A sense of place. (2003)
Physical Artefact
DUNBAR, L. 2003. A sense of place. [Paintings].

This set of ten paintings was exhibited in 'Six Royal Academy Artists', 16 October - 5 December 2003, University of Central Florida, USA.