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All Outputs (2)

Re-enacting early video art as a research tool for media art histories. (2019)
Book Chapter
LEUZZI, L. 2019. Re-enacting early video art as a research tool for media art histories. In Grau, O., Hoth, J. and Wandl-Vogt, E. (eds.) Digital art through the looking glass: new strategies for archiving, collecting and preserving in digital humanities. Krems: Edition Donau-Universität Krems [online], pages 161-177. Available from: https://www.donau-uni.ac.at/dam/jcr:a29638aa-f334-4abb-9601-10e36652d09f/Digital_Art_through_the_Looking_Glass_updated.pdf

This paper will discuss re-enactment as a relevant tool for practice-based research to investigate pioneering video performances and video artworks from the 1970s and 1980s from a theoretical, art-historical and curatorial point of view. Since the ea... Read More about Re-enacting early video art as a research tool for media art histories..

Self/portraits: the mirror, the self and the other: identity and representation in early women's video art in Europe. (2019)
Book Chapter
LEUZZI, L. 2019. Self/portraits: the mirror, the self and the other: identity and representation in early women's video art in Europe. In Leuzzi, L., Shemilt, E. and Partridge, S. (eds.) EWVA European women's video art in the 70s and 80s. Barnet: John Libbey Publishing, chapter 1, pages 7-24.

During the Renaissance, a new sense of agency in the role and identity of the artist stimulated the self-portrait as an independent genre. Since that period, many artists have explored this genre with different results and sensibilities, employing ne... Read More about Self/portraits: the mirror, the self and the other: identity and representation in early women's video art in Europe..