All Outputs (5)

I, Kusama, am the modern Alice in Wonderland: Alice e Kusama, di riflesso per infiniti specchi. (2018)
Journal Article
LEUZZI, L. 2018. I, Kusama, am the modern Alice in Wonderland: Alice e Kusama, di riflesso per infiniti specchi. Engramma [online], 161, article ID 3524. Avilable from: http://www.engramma.it/eOS/index.php?id_articolo=3524

"How about taking a trip with me out to Central Park [...] under the magic mushroom of the Alice in Wonderland statue. Alice was the grandmother of the Hippies. When she was low, Alice was the first to take pills to make her high. I, Kusama, am the m... Read More about I, Kusama, am the modern Alice in Wonderland: Alice e Kusama, di riflesso per infiniti specchi..

Alice underground. (2018)
Journal Article
LEUZZI, L. and MAGUOLO, M. (eds.) 2018. Alice underground. Engramma [online], 161. Available from: https://www.engramma.it/eOS/core/frontend/eos_goto.php?issue=161

In homage to the tradition inaugurated by Charles L. Dodgson himself, who for Christmas 1864 made up the written version of his first story for little Liddells, Engramma presents its readers with an issue dedicated to Alice and her wonderful world, u... Read More about Alice underground..

Madelon Hooykaas: virtual walls, real walls: gestures, signs and traces of change, resilience and urban acupuncture. (2018)
Journal Article
LEUZZI, L. and NEDKOVA, I. 2018. Madelon Hooykaas: virtual walls, real walls: gestures, signs and traces of change, resilience and urban acupuncture. Read more: Horsecross Arts journal for critical writing [online], 14, pages 4-14. Available from: https://www.horsecross.co.uk/media/1883/read-more-issue-madelon-hooykaas.pdf

Madelon Hooykaas (born Maartensdijk, The Netherlands, 1942) ought to be acknowledged as one of the most representative visual artists in europe for her enduring and pioneering experimentation in contemporary art. Since the 1960s, Hooykaas has develop... Read More about Madelon Hooykaas: virtual walls, real walls: gestures, signs and traces of change, resilience and urban acupuncture..

REWIND Italia: early video art in Italy = I primi anni della videoarte in Italia. (2018)
Journal Article
LEUZZI, L. 2018. REWIND Italia: early video art in Italy = I primi anni della videoarte in Italia. Engramma [online], 152, article ID 3346. Avilable from: http://www.engramma.it/eOS/index.php?id_articolo=3346

This article presents the book "REWIND Italia: early video art in Italy", edited by Laura Leuzzi and Stephen Partridge, and published in 2015 by John Libbey Publishing. The volume is the main output from the REWIND Italia project, which was funded by... Read More about REWIND Italia: early video art in Italy = I primi anni della videoarte in Italia..

2114, Future Library: a conversation with Katie Paterson. (2018)
Journal Article
LEUZZI, L. and SBRILLI, A. 2018. 2114, Future Library: a conversation with Katie Paterson. KronoScope [online], 18(1), pages 72-79. Available from: https://doi.org/10.1163/15685241-12341403

The completion of Future Library is 96 years away. Future Library is an artwork conceived by the Scottish artist Katie Paterson (born 1981), who explores time-related phenomena and paradoxes, in such a way that she has been compared to Italo Calvino... Read More about 2114, Future Library: a conversation with Katie Paterson..