All Outputs (7)

Italian video art centers and archives: a treasure yet to discover. (2015)
Book Chapter
LEUZZI, L. 2015. Italian video art centers and archives: a treasure yet to discover. In Smite, R., Smits, R. and Manovich, L. (eds.) Data drift: archiving media and data art in the 21st century. Acoustic space, 14. Rīga: RIXC, pages 121-127 (108-114).

Italy was a vibrant centre of video art production and exhibition, throughout the 1970s and 1980s. This period was all the more remarkable because of the early date and the international reach of the work produced. Artists connected to the Italian vi... Read More about Italian video art centers and archives: a treasure yet to discover..

EWVA: European women's video art. [Website] (2015)
Digital Artefact
SHEMILT, E., PARTRIDGE, S., LEUZZI, L. and LOCKHART, A. 2015. EWVA: European women's video art. [Website]. Available from: http://www.ewva.ac.uk

This is the project website for "European Women's Video Art in the 70s and 80s (EWVA)". This project aims to recover and reassess the seminal contribution of women artists to early video art in Europe, and more generally to the development and evolut... Read More about EWVA: European women's video art. [Website].

Autoritratti. [Film screening] (2015)
Exhibition / Performance
LEUZZI, L. and CASALINI, G. 2015. Autoritratti. [Film screening]. Performed on 11 December 2015, as part of the Now You Can Go programme, 10-13 December 2015, The Showroom, London.

Autoritratti was a performative screening. It employed different methodological tools, including dialogue, autobiography, cross-genre and fragmented narratives. The approach was inspired by Italian feminist thinker Carla Lonzi and her book Autoritrat... Read More about Autoritratti. [Film screening].

REWIND Italia: early video art in Italy. (2015)
Book
LEUZZI, L. and PARTRIDGE, S. (eds.) 2015. REWIND Italia: early video art in Italy = I primi anni della videoarte in Italia. Barnet: John Libbey Publishing.

The early international history of video art remains contested and most narratives focus upon a fragment. The narrative in Italy was by its nature international and holds up a mirror to the development of video across the world. Italy was a vibrant c... Read More about REWIND Italia: early video art in Italy..

Some notes on Luca Maria Patella's videotapes. (2015)
Book Chapter
LEUZZI, L. 2015. Some notes on Luca Maria Patella's videotapes = Alcune note sui videotape di Luca Maria Patella. In Leuzzi, L. and Partridge, S. (eds.) REWIND Italia: early video art in Italy = I primi anni della videoarte in Italia. Barnet: John Libbey Publishing, pages 165-182.

In this chapter Leuzzi retraces Luca Maria Patella's seminal video experimentation in the 1970s, including three videotapes recovered during REWINDItalia in 2011.

Interventions, productions and collaborations: the relationship between RAI and visual artists. (2015)
Journal Article
LEUZZI, L. 2015. Interventions, productions and collaborations: the relationship between RAI and visual artists. Journal of Italian cinema and media studies [online], 3(1-2), pages 155-170. Available from: https://doi.org/10.1386/jicms.3.1-2.155_1

On 17 May 1952, before RAI Radiotelevisione Italiana Studios began their regular broadcast from Milan, the Spatialist painter and sculptor Lucio Fontana broadcast his own experimental 'artwork' on Italian television, beginning a fruitful relationship... Read More about Interventions, productions and collaborations: the relationship between RAI and visual artists..

Body, sign and double: a parallel analysis of Elain Shemilt's "Doppelganger", Federica Marangoni's "The box of life", and Sanja Ivekovic's "Instructions no.1" and "Make up - make down". (2015)
Book Chapter
LEUZZI, L., SHEMILT, E. and PARTRIDGE, S. 2015. Body, sign and double: a parallel analysis of Elain Shemilt's "Doppelganger", Federica Marangoni's "The box of life", and Sanja Ivekovic's "Instructions no.1" and "Make up - make down". In Catricalà, V. (ed.) Media art: towards a new definition of arts in the age of technology. Pistoia: Gli Ori, pages 97-103.

Body; identity; self-representation; sexuality; stereotypical images of women as portrayed by the society and the media; the condition of female professional artists: these themes were expressed and developed in several early video works in the 1970s... Read More about Body, sign and double: a parallel analysis of Elain Shemilt's "Doppelganger", Federica Marangoni's "The box of life", and Sanja Ivekovic's "Instructions no.1" and "Make up - make down"..