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All Outputs (40)

Incite: digital art and activism. (2023)
Book
DELAPPE, J. and LEUZZI, L. (eds.) 2023. Incite: digital art and activism. Aberdeen: peacock and the worm.

INCITE: Digital Art and Activism is a collaborative artists' book, featuring creative responses from artists, scholars and activists connected through the Digital Art and Activism Network, and edited by Joseph DeLappe (Abertay University) and Laura L... Read More about Incite: digital art and activism..

European values. (2023)
Book Chapter
ZEĆO, M. 2023. European values. In DeLappe, J. and Leuzzi, L. (eds.) Incite: digital art and activism. Aberdeen: peacock and the worm, chapter 1111, pages 57-60.

This chapter - a selection of quotes within variously decorated pages - forms Maja Zećo's contribution to the collaborative artists' book, "INCITE: Digital Art and Activism", edited by Joseph DeLappe and Laura Leuzzi. The book sought to collate respo... Read More about European values..

In dialogue: for an approach to activist curating. (2023)
Book Chapter
LEUZZI, L. 2023. In dialogue: for an approach to activist curating. In DeLappe, J. and Leuzzi, L. (eds.) Incite: digital art and activism. Aberdeen: peacock and the worm, chapter 1110, pages 53-56.

This chapter - a short essay - forms Laura Leuzzi's chapter contribution to the collaborative artists' book, "INCITE: Digital Art and Activism", edited by Joseph DeLappe and Laura Leuzzi. The book sought to collate responses from artists, scholars an... Read More about In dialogue: for an approach to activist curating..

Aphorisms on art and activism. (2023)
Book Chapter
BLACKWOOD, J. 2023. Aphorisms on art and activism. In DeLappe, J. and Leuzzi, L. (eds.) Incite: digital art and activism. Aberdeen: peacock and the worm, chapter 1100, pages 45-48.

This chapter - a compilation of aphorisms - forms Jon Blackwood's contribution to the collaborative artists' book, "INCITE: Digital Art and Activism", edited by Joseph DeLappe and Laura Leuzzi. The book sought to collate responses from artists, schol... Read More about Aphorisms on art and activism..

Of mentors, teachers and pioneers: herstories of video and media art in Europe. (2023)
Presentation / Conference
LEUZZI, L. 2023. Of mentors, teachers and pioneers: herstories of video and media art in Europe. Presented at the 10th International conference on the histories of media art, science and technology (RE:SOURCE 2023), 13-16 September 2023, Venice, Italy.

This paper aims to question transmissions, teaching methods and approaches. It also aims to discuss and reassess the legacy of a generation of women video and new media pioneers – including Elsa Stansfield, Nan Hoover, Tamara Krikorian, Maria Vedder... Read More about Of mentors, teachers and pioneers: herstories of video and media art in Europe..

She became my teacher and mentor: uncovering the legacy of women video pioneers in art schools and academies in Europe. [Book chapter] (2023)
Book Chapter
LEUZZI, L. 2023. She became my teacher and mentor: uncovering the legacy of women video pioneers in art schools and academies in Europe. In Laks, D. and Sassu Suarez Ferri, N. (eds.) Transmission and gender: women artists as teachers in the XXth century. Passages online, 26. Heidelberg: Heidelberg University; arthistoricum.net [online], pages 39-48. Available from: https://doi.org/10.11588/arthistoricum.1148.c16188

The introduction of the portable video recorder enabled women artists of the 1970s to experiment with a medium that was considered easier and cheaper to operate than film, as well as free from the heavily male-dominated imprint of traditional artisti... Read More about She became my teacher and mentor: uncovering the legacy of women video pioneers in art schools and academies in Europe. [Book chapter].

Facing the lens of the camera: bodies, self-portraiture, portraiture and identity in women artists' video. (2023)
Book Chapter
LEUZZI, L. 2023. Facing the lens of the camera: bodies, self-portraiture, portraiture and identity in women artists' video. In Dreckmann, K. and Vomberg, E. (eds.) More than illustrated music: aesthetics of hybrid media between pop, art and video. New York: Bloomsbury Academic [online], chapter 8, pages 93-105. Available from: https://doi.org/10.5040/9781501381263.0015

Since its commercial inception and availability in the late 60s and 70s, video has acted as a powerful tool for women artists to explore feminist issues and debunk stereotypes re-perpetrated over the centuries by patriarchal society. In resonance wit... Read More about Facing the lens of the camera: bodies, self-portraiture, portraiture and identity in women artists' video..

Representation and identity in contemporary women artists' video. (2023)
Journal Article
LEUZZI, L. 2023. Representation and identity in contemporary women artists' video. Arts [online], 12(2), article 42. Available from: https://doi.org/10.3390/arts12020042

This essay is an initial study that examines selected contemporary video artworks addressing identity and representation by contemporary Italian women artists. The author shows how these women artists seek to avoid the objectification and sanitisatio... Read More about Representation and identity in contemporary women artists' video..

Demarco and Yugoslavia in the 1970s. (2022)
Book Chapter
BLACKWOOD, J. 2022. Demarco and Yugoslavia in the 1970s. In Leuzzi, L., Partridge, S. and Shemilt, E. (eds.) Richard Demarco: the Italian connection. Barnet: John Libbey, chapter 7, pages 105-113.

During the Cold War period, relations between the UK and Yugoslavia were couched entirely in the frames of politics, economics or military history; in the later years of socialist Yugoslavia, from the later seventies onwards, links were also develope... Read More about Demarco and Yugoslavia in the 1970s..

Making politics: engaged social tactics. (2022)
Book Chapter
DELAPPE, J. and LEUZZI, L. 2022. Making politics: engaged social tactics. In burrough, x. and Walgren, J. (eds.) Art as social practice: technologies for change. New York: Routledge [online], chapter 10, pages 126-136. Available from: https://doi.org/10.4324/9781003169109-13

In this interview, Joseph DeLappe describes a lineage of works and circumstances that led to a series of community-based and crowdsourced projects to encourage participation and creative critical action with participants, volunteers, and collaborator... Read More about Making politics: engaged social tactics..

Allo specchio: le pioniere del video in Europa tra identità e rappresentazione. (2020)
Journal Article
LEUZZI, L. 2020. Allo specchio: le pioniere del video in Europa tra identità e rappresentazione. Arabeschi [online], 16(Galleria - Smarginature): proceeindgs of the 2020 Forum annuale delle studiose di cinema e audiovisivi (FAScinA 2020), 8-10 October 2020, [virtual event], paper number 2.3. Available from: http://www.arabeschi.it/23-allo-specchio-le-pioniere-del-video-in-europa-tra-identit--e-rappresentazione/

Identity and representation are dominant themes in the works of women pioneers in video art in the 1970s and early 1980s. Video was agile both from a conceptual point of view (free from the heavy patriarchal legacy of traditional artistic techniques)... Read More about Allo specchio: le pioniere del video in Europa tra identità e rappresentazione..

Given to chance: Indeterminacy/Share Commission exhibition. [Exhibition] (2020)
Exhibition / Performance
Given to chance: Indeterminacy/Share Commission exhibition. [Exhibition]. Exhibited 12-30 November 2020, Nomas* Projects, Dundee.

This exhibition featured five commissioned artworks that suggest connections and commonalities between sharing and indeterminacy. We casually use the word 'share' to describe distributing images, stories and info across social media networks. Sharing... Read More about Given to chance: Indeterminacy/Share Commission exhibition. [Exhibition].

Edimburgo - Roma 1967: connessioni italo-scozzesi sulle tracce della mostra Contemporary Italian Art alla Richard Demarco Gallery. (2019)
Journal Article
LEUZZI, L. 2019. Edimburgo – Roma 1967: connessioni italo-scozzesi sulle tracce della mostra Contemporary Italian Art alla Richard Demarco Gallery. Storia dell'arte [online], 151/152, pages 205-215. Available from: https://www.storiadellarterivista.it/shop/articoli/edimburgo-roma/

Since the 60s, the Italo-Scottish artist and cultural entrepreneur Richard Demarco (Edinburgh, 1930), has played a fundamental role in the production and promotion of European - and in particular Italian - visual and performing arts in Scotland. Dema... Read More about Edimburgo - Roma 1967: connessioni italo-scozzesi sulle tracce della mostra Contemporary Italian Art alla Richard Demarco Gallery..

Re-enacting early video art as a research tool for media art histories. (2019)
Book Chapter
LEUZZI, L. 2019. Re-enacting early video art as a research tool for media art histories. In Grau, O., Hoth, J. and Wandl-Vogt, E. (eds.) Digital art through the looking glass: new strategies for archiving, collecting and preserving in digital humanities. Krems: Edition Donau-Universität Krems [online], pages 161-177. Available from: https://www.donau-uni.ac.at/dam/jcr:a29638aa-f334-4abb-9601-10e36652d09f/Digital_Art_through_the_Looking_Glass_updated.pdf

This paper will discuss re-enactment as a relevant tool for practice-based research to investigate pioneering video performances and video artworks from the 1970s and 1980s from a theoretical, art-historical and curatorial point of view. Since the ea... Read More about Re-enacting early video art as a research tool for media art histories..

Approaches, strategies and theoretical and practice-based research methods to investigate and archive video art: some reflections from the REWIND projects. (2019)
Conference Proceeding
LEUZZI, L., PARTRIDGE, S. and LOCKHART, A. 2019. Approaches, strategies and theoretical and practice-based research methods to investigate and archive video art: some reflections from the REWIND projects. In RE:SOUND 2019: proceedings of 8th Histories of media arts international conference 2019 (MAH 2019): sound, media and art; theories, histories, practices, 20-23 August 2019, Aalborg, Denmark. London: BCS, pages 274-282. Hosted on ScienceOpen [online]. Available from: https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/RESOUND19.41

This paper will discuss methodologies, approaches and issues, emerging out of three major research projects that have investigated early histories of video art in Europe: REWIND (2004 ongoing), REWINDItalia (2011-2014) and EWVA (2015-2018). The paper... Read More about Approaches, strategies and theoretical and practice-based research methods to investigate and archive video art: some reflections from the REWIND projects..

Il talento e la sorte: la liaison Edimburgo-Venezia dell'Italian connection di Richard Demarco. (2019)
Journal Article
LEUZZI, L. 2019. Il talento e la sorte: la liaison Edimburgo-Venezia dell’Italian Connection di Richard Demarco. Engramma [online], 162, article 3546. Available from: http://www.engramma.it/eOS/index.php?id_articolo=3546

This article aims to give an overview of the Arts and Humanities Research Council funded research project, Richard Demarco’s The Italian Connection, based at Duncan of Jordanstone College of Art and Design at the University of Dundee, and to explore... Read More about Il talento e la sorte: la liaison Edimburgo-Venezia dell'Italian connection di Richard Demarco..

I, Kusama, am the modern Alice in Wonderland: Alice e Kusama, di riflesso per infiniti specchi. (2018)
Journal Article
LEUZZI, L. 2018. I, Kusama, am the modern Alice in Wonderland: Alice e Kusama, di riflesso per infiniti specchi. Engramma [online], 161, article ID 3524. Avilable from: http://www.engramma.it/eOS/index.php?id_articolo=3524

"How about taking a trip with me out to Central Park [...] under the magic mushroom of the Alice in Wonderland statue. Alice was the grandmother of the Hippies. When she was low, Alice was the first to take pills to make her high. I, Kusama, am the m... Read More about I, Kusama, am the modern Alice in Wonderland: Alice e Kusama, di riflesso per infiniti specchi..

Madelon Hooykaas: virtual walls, real walls: gestures, signs and traces of change, resilience and urban acupuncture. (2018)
Journal Article
LEUZZI, L. and NEDKOVA, I. 2018. Madelon Hooykaas: virtual walls, real walls: gestures, signs and traces of change, resilience and urban acupuncture. Read more: Horsecross Arts journal for critical writing [online], 14, pages 4-14. Available from: https://www.horsecross.co.uk/media/1883/read-more-issue-madelon-hooykaas.pdf

Madelon Hooykaas (born Maartensdijk, The Netherlands, 1942) ought to be acknowledged as one of the most representative visual artists in europe for her enduring and pioneering experimentation in contemporary art. Since the 1960s, Hooykaas has develop... Read More about Madelon Hooykaas: virtual walls, real walls: gestures, signs and traces of change, resilience and urban acupuncture..

REWIND Italia: early video art in Italy = I primi anni della videoarte in Italia. (2018)
Journal Article
LEUZZI, L. 2018. REWIND Italia: early video art in Italy = I primi anni della videoarte in Italia. Engramma [online], 152, article ID 3346. Avilable from: http://www.engramma.it/eOS/index.php?id_articolo=3346

This article presents the book "REWIND Italia: early video art in Italy", edited by Laura Leuzzi and Stephen Partridge, and published in 2015 by John Libbey Publishing. The volume is the main output from the REWIND Italia project, which was funded by... Read More about REWIND Italia: early video art in Italy = I primi anni della videoarte in Italia..