All Outputs (6)

European values. (2023)
Book Chapter
ZEĆO, M. 2023. European values. In DeLappe, J. and Leuzzi, L. (eds.) Incite: digital art and activism. Aberdeen: peacock and the worm, chapter 1111, pages 57-60.

This chapter - a selection of quotes within variously decorated pages - forms Maja Zećo's contribution to the collaborative artists' book, "INCITE: Digital Art and Activism", edited by Joseph DeLappe and Laura Leuzzi. The book sought to collate respo... Read More about European values..

Nothing's guaranteed: exhibition of Bosno-futurism. [Exhibition] (2022)
Exhibition / Performance
Nothing's guaranteed: exhibition of Bosno-futurism. [Exhibition]. Exhibited 29 July - 25 September 2022, Summerhall, Edinburgh.

This exhibition presents a parallel exploration of the intersection between imagination and technology, and explores the rich aesthetic of Afrofuturism through the work of six contemporary mixed-media artists; Igor Bošnjak, Mladen Bundalo, Lana Čmajč... Read More about Nothing's guaranteed: exhibition of Bosno-futurism. [Exhibition].

Contextualities of listening to soundscapes: the past and the present converging in Sarajevo. (2022)
Journal Article
ZEĆO, M. 2022. Contextualities of listening to soundscapes: the past and the present converging in Sarajevo. Journal of sonic studies [online], 23: Sounds of the Balkan, exposition 1599648. Available from: https://www.researchcatalogue.net/view/1599648/1599649

This article discusses the relationship between autobiographical memories and personal and group identities in the post-conflict soundscape of Sarajevo in Bosnia and Herzegovina. The discussion will focus on the perspectives of residents and their in... Read More about Contextualities of listening to soundscapes: the past and the present converging in Sarajevo..

Listening and recording in situ: entanglement in the sociopolitical context of place. (2021)
Journal Article
ZEĆO, M. 2021. Listening and recording in situ: entanglement in the sociopolitical context of place. Organised sound [online], 26(2), 284-290. Available from: https://doi.org/10.1017/S1355771821000327

This article considers the ways in which soundwalking and field recording entangle the listener in a sociopolitical relationship with place. The place is a physical site in which the listener encounters complex sonic sociopolitical factors, shaped no... Read More about Listening and recording in situ: entanglement in the sociopolitical context of place..

Placing sound: a contextual exploration of personal identities in sound art discourse through performance art practice. (2019)
Thesis
ZEĆO, M. 2019. Placing sound: a contextual exploration of personal identities in sound art discourse through performance art practice. Robert Gordon University, PhD thesis. Hosted on OpenAIR [online]. Available from: https://doi.org/10.48526/rgu-wt-1713018

This practice-led research explores how personal identities shape listening experiences in the context of sound art discourse. The research aim is to develop a contextual approach to sound art practice, informed by personal experience of listening to... Read More about Placing sound: a contextual exploration of personal identities in sound art discourse through performance art practice..

Placing sound: a contextual exploration of personal identities in sound art discourse through performance art practice. [Appendices] (2019)
Dataset
ZEĆO, M. 2019. Placing sound: a contextual exploration of personal identities in sound art discourse through performance art practice. [Appendices]. Hosted on OpenAIR [online]. Available from: https://rgu-repository.worktribe.com/output/1831816

These multimedia appendices accompany a thesis that formed part of a PhD awarded by Robert Gordon University. The practice-led research represented in both the thesis and these appendices explores how personal identities shape listening experiences i... Read More about Placing sound: a contextual exploration of personal identities in sound art discourse through performance art practice. [Appendices].