All Outputs (536)

Mappin open solo show. [Exhibition] (2002)
Exhibition / Performance
Mappin open solo show. Exhibition held on 31 January - 30 April 2002, Mapping Art Gallery, Sheffield.

The images provided here are just two from a larger body of work entitled 'Narrative Driven By Shape'. This, along with other works, formed the basis of a solo show held at The Mappin Art Gallery in Sheffield from January to April 2002.

The glamour. (2001)
Physical Artefact
TATHAM, J. and O'SULLIVAN, T. 2001. The glamour. [Lighting installation].

The Glamour was commissioned for the 2nd Berlin Biennale, held on 20 April - 20 June 2001. It was a continuation of The Glamour project that was first initiated in 2000 at the Transmission Gallery, Glasgow. It is composed of a set of devices - mirror... Read More about The glamour..

HK. [Exhibition] (2001)
Exhibition / Performance
HK. Exhibition held on 23 November 2001 - 20 January 2002, Tramway, Glasgow.

HK was a solo exhibition commissioned by Tramway, Glasgow. The central component of the exhibition was the words HEROIN KILLS presented as six-metre high sculptural forms. This word-sculpture was situated within both the context of Glasgow, as a city... Read More about HK. [Exhibition].

Computer-mediated printmaking: expanding the envelope from 2-dimensional into 3-dimensional. (2001)
Presentation / Conference Contribution
PENGELLY, J. 2001. Computer-mediated printmaking: expanding the envelope from 2-dimensional into 3-dimensional. Presented at the 2nd International printmaking conference (IMPACT 2), 29 August - 2 September 2001, Helsinki, Finland.

This presentation discusses how printmaking relates to certain forms of computer-mediated methods of production: computer-aided design (CAD), computer-aided manufacturing (CAM) and rapid prototyping (RP).

Are we being served? (2001)
Presentation / Conference Contribution
BREMNER, P.A.M. and FREATHY, P. 2001. Are we being served? Consumer versus retailers perceptions of customer service expectations within selected menswear stores. Presented at the 11th International European Association for Education and Research in Commercial Distribution (EAERCD) conference 2001 (EAERCD 2001), 27-29 June 2001, Tilburg, Netherlands.

This paper examines the mismatch between consumer and retailer perceptions of customer service and its potential impact on customer satisfaction. Having examined the main influences and themes from primary research this paper attempts to suggest that... Read More about Are we being served?.

Domestic pleasures. [Installation] (2000)
Physical Artefact
PENGELLY, J. 2000. Domestic pleasures. [Installation]

This installation (4.5 x 3 m) consists of cast multiples created using computer-aided design (CAD) / computer-aided manufacture (CAM) methods.

Holding pattern. [3D-printed object] (2000)
Physical Artefact
PENGELLY, J. 2000. Holding pattern. [3D-printed object]

This three-dimensional piece (18 x 12 x 8 cm) was created using a Z* Corp 3D printer and is an example of a rapid prototyped object.

36 units. (1999)
Physical Artefact
DUNBAR, L. 1999. 36 units. [Prints].

36 Units was a set of intaglio prints constructed from over 200 plates. The work was exhibited at the following galleries between 1999 and 2000: Jewett Arts Centre, Boston; Kansas State University Gallery, Manhattan; Compass Gallery, Glasgow; Peacock... Read More about 36 units..

Cosmetic environmentalism. [Woodblock print] (1999)
Physical Artefact
PENGELLY, J. 1999. Cosmetic environmentalism. [Woodblock print]

This print (76 x 56 cm) is a woodblock print that was created using computer-aided design (CAD) / computer-aided manufacture (CAM) methods.

The role of artists in the public realm: an investigation into artists' generative processes in context. (1999)
Thesis
SILVER, S. 1999. The role of artists in the public realm: an investigation into artists' generative processes in context. Robert Gordon University, PhD thesis.

A shift in practice towards a process-orientated and collaborative art practice within the strands of art practice in the public realm raises the question, what is the practical contribution artists make to society' which can only be answered by firs... Read More about The role of artists in the public realm: an investigation into artists' generative processes in context..

Re:presenting making: the integration of new technology into ceramic designer-maker practice. (1998)
Thesis
BUNNELL, K. 1998. Re:presenting making: the integration of new technology into ceramic designer-maker practice. Robert Gordon University, PhD thesis.

The aim of the research is to integrate computer technologies and environmentally - sensitive materials and processes into the practice of the ceramic designer-maker, in order to assess the impact of new technologies on practice. A critical contextua... Read More about Re:presenting making: the integration of new technology into ceramic designer-maker practice..

Environmentally sensitive printmaking: a framework for safe practice. (1997)
Thesis
PENGELLY, J. 1997. Environmentally sensitive printmaking: a framework for safe practice. Robert Gordon University, PhD thesis.

This research is concerned with establishing a rationale which will link safe printmaking practices with artists' individual and sustainable creative practices, by investigating the preconception that printmaking practices may be limited by adopting... Read More about Environmentally sensitive printmaking: a framework for safe practice..

Developing a research procedures programme for artists & designers. (1995)
Report
GRAY, C., DOUGLAS, A., LEAKE, I., MALINS, J. 1995. Developing a research procedures programme for artists & designers. Aberdeen: Robert Gordon University.

This paper builds on our earlier research concerned with describing a contextual framework for the development of artistic research procedures1, 2, and attempts to move forward from this somewhat philosophical stage into more practical territory. Ove... Read More about Developing a research procedures programme for artists & designers..

Research procedures/methodology for artists and designers. (1993)
Report
GRAY, C. and MALINS, J. 1993. Research procedures/methodology for artists and designers. Aberdeen: Robert Gordon University.

This paper attempts to put into context the issues which surround the endeavours of researchers working in the field of Art and Design, in particular the philosophy and context of research procedures / methodologies. The introduction provides some de... Read More about Research procedures/methodology for artists and designers..

The monitoring and control of specialist ceramic kiln atmospheres and emissions. (1993)
Thesis
MALINS, J.P. 1993. The monitoring and control of specialist ceramic kiln atmospheres and emissions. Robert Gordon University, PhD thesis.

The ceramic glazing techniques of vapour glazing, reduction lustre, Raku and fuming all require specialised firing conditions with the use of potentially hazardous kiln atmospheres and specialist kiln designs for their successful execution. The techn... Read More about The monitoring and control of specialist ceramic kiln atmospheres and emissions..

An exploration of the principle of chance as a stimulus to the creative activity known as sculpture. (1992)
Thesis
WATSON, A. 1992. An exploration of the principle of chance as a stimulus to the creative activity known as sculpture. Robert Gordon University, PhD thesis.

This research is concerned with the utilization of chance as a stimulus to encourage experiment and discovery in sculpture. The aims of this research project were: to examine the role of chance within the creative process and previous artists' use of... Read More about An exploration of the principle of chance as a stimulus to the creative activity known as sculpture..