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All Outputs (536)

Does the world draw? (2014)
Presentation / Conference Contribution
RAVETZ, A. and DOUGLAS, A. 2014. Does the world draw? Workshop facilitated during the 13th European Association of Social Anthropologists biennial conference of collaboration intemacy and revolution (EASA 2014): innovation and continuity in an interconnected world, 31st July-3rd August 2014, Tallinn, Estonia.

Drawing can be explained in at least two ways: exemplifying trace, an inherent capacity or collection of characteristics in an individual (Nancy 2013) e.g. Rembrandt's drawing versus Van Gogh's drawing, the drawing of a particular thing in the world... Read More about Does the world draw?.

Your thought will find the contours. (2014)
Presentation / Conference Contribution
DOUGLAS, A. and RAVETZ, A. 2014. Your thought will find the contours. Presented at Sewing lines, growing surfaces, breathing atmospheres: towards an ontogeny of things workshop, 2-3 July 2014, Weimar, Germany.

Our aim in this presentation is to report on research we have been doing around drawing and filming. As associates of Knowing from Inside, we are interested in discovering in what sense drawing and filming can be considered experiential ways of 'know... Read More about Your thought will find the contours..

REWIND Italia: artists' video in Italy in the 70s and 80s. [Film screenings and presentation] (2014)
Exhibition / Performance
PARTRIDGE, S., LEUZZI, L. and LOCKHART, A. 2014. REWIND Italia: artists' video in Italy in the 70s and 80s. [Film screenings and presentation]. Performed on 31 May 2014, as part of the 2014 VIDEOEX international experimental film and video festival (VIDEOEX Festival 2014), 24 May - 1 June 2014, Kunstraum Walcheturm, Zürich.

This output consisted of two 90-minute film screenings, accompanied by a presentation. The presentation provided an introduction to the REWINDItalia project, offering an overview of its aims, objectives and outcomes. The first screening programme inc... Read More about REWIND Italia: artists' video in Italy in the 70s and 80s. [Film screenings and presentation].

Scottish artists bring nature into healthcare. (2014)
Presentation / Conference Contribution
FREMANTLE, C. 2014. Scottish artists bring nature into healthcare. Presented at the 2014 Global Alliance for Arts and Health conference, 9-12 April 2014, Houston, USA.

Scotland has a strong portfolio of arts and health projects including both public art installations within healthcare buildings and participatory programmes, in particular with people with long term conditions. This presentation will focus on public... Read More about Scottish artists bring nature into healthcare..

Encounter in art. (2014)
Presentation / Conference Contribution
DOUGLAS, A. 2014. Encounter in art. Presented at the 2014 Art and encounter seminar: beyond audience development: why do artists engage publics in participation? 14-30 March 2014, Melbourne, Australia.

This presentation explores how 'encounter' is different from 'event' and making this differentiation has important implications on how we imagine the relationship of art to audience. The author introduces some theoretical foundations to the notion of... Read More about Encounter in art..

Leading through art: exploring action and improvisation. (2014)
Presentation / Conference Contribution
DOUGLAS, A. 2014. Leading through art: exploring action and improvisation. Keynote presentation at the Macgeorge fellowship, Centre for creative partnerships, 4 March 2014, Melbourne, Australia.

A keynote such as this raises the expectations of a new beginning to a discourse, of presenting another way of thinking about a shared set of issues. The process of arriving at the focus of the keynote has been collaborative and discursive through a... Read More about Leading through art: exploring action and improvisation..

Movement and moment: in-between discreteness and continuity. (2014)
Journal Article
DOUGLAS, A. and COESSENS, K. 2014. Movement and moment: in-between discreteness and continuity. Somatechnics [online], 4(1), pages 149-167. Available from: https://doi.org/10.3366/soma.2014.0117

This paper explores a paradox. We breathe in, and then out. We walk by making paces, alternating left and right feet. Walking and breathing are made up of discrete intervals of space and time, involuntary actions of the living body, sustaining contin... Read More about Movement and moment: in-between discreteness and continuity..

An examination of the physical and temporal parameters of post-physical printmaking practice: exploring new modes of collaboration, distribution and consumption resulting from digital processes and networked participation. (2014)
Thesis
THOMPSON, P. 2014. An examination of the physical and temporal parameters of post-physical printmaking practice: exploring new modes of collaboration, distribution and consumption resulting from digital processes and networked participation. Robert Gordon University, PhD thesis.

This research was initiated by questions raised from the researchers professional activities in fine art printmaking and examines, through contextualised artistic practice and critical enquiry, redefinitions in the physical and temporal parameters of... Read More about An examination of the physical and temporal parameters of post-physical printmaking practice: exploring new modes of collaboration, distribution and consumption resulting from digital processes and networked participation..

Improvisation and embodied knowledge: three artistic projects between life, art and research. (2013)
Book Chapter
DOUGLAS, A. and COESSENS, K. 2013. Improvisation and embodied knowledge: three artistic projects between life, art and research. In Frisk, H. and Östersjö, S. (eds.) (Re)thinking improvisation: artistic explorations and conceptual writing. Malmö: Lund University, Malmö Academy of Music, pages 29-41.

In life there exists no script. The primacy of experience in the form of 'trying out' or improvisation, a moving from an indefinable and undifferentiated state to feeling our way by creating a direction. In art, improvisation is differently nuanced.... Read More about Improvisation and embodied knowledge: three artistic projects between life, art and research..

Designing engagement: the new edge. (2013)
Book Chapter
MACDONALD, S. 2013. Designing engagement: the new edge. In Jokela, T., Coutts, G., Härkönen, E., and Huhmarniemi, M. (eds.) Cool: applied visual arts in the North. Rovaniemi: University of Lapland. Faculty of Art and Design, pages 54-67.

The participatory principle, though bred in late twentieth century countercultural politics, is an emerging trend in social policy and also the arts where it is associated with audience involvement that goes beyond passive consumption. This parallels... Read More about Designing engagement: the new edge..

Effective approaches for innovation support for SMEs. (2013)
Journal Article
MALINS, J. and GULARI, M.N. 2013. Effective approaches for innovation support for SMEs. Swedish design research journal [online], 2(13), pages 32-39. Available from: https://doi.org/10.3384/svid.2000-964X.13232

Providing appropriate innovation support to small to medium sized enterprises (SMEs) is an on-going challenge. Governments offer a range of initiatives from advice, to research and development grants; however, the underlying methodological frameworks... Read More about Effective approaches for innovation support for SMEs..

Contemporary craft and cultural sustainability: a case study of the Scottish Craft Centre (1970-1990). (2013)
Presentation / Conference Contribution
PEACH, A. 2013. Contemporary craft and cultural sustainability: a case study of the Scottish Craft Centre (1970-1990). Making futures journal [online], 3: proceedings of the 3rd Making futures international research conference: interfaces between craft knowledge and design: new opportunities for social innovation and sustainable practice, 26-27 September 2013, Torpoint, UK, pages 524-529. Available from: https://drive.google.com/open?id=1n2tXWhwnr37F23cWIjX5nEmISQS2Rud7

1970-1990 was a period of renaissance for the crafts in the UK and North America. The creation of national organisations and infrastructures to support craft, and define its identity, played a crucial role. It is often assumed that Scottish craft his... Read More about Contemporary craft and cultural sustainability: a case study of the Scottish Craft Centre (1970-1990)..

Practising equality? Issues for co-creative and participatory practices addressing social justice and equality. (2013)
Journal Article
HARRIS, P. and FREMANTLE, C. 2013. Practising equality? Issues for co-creative and participatory practices addressing social justice and equality. Participations: journal of audience and reception studies, 10(2), pages 183-200. Available from: https://www.participations.org/Volume%2010/Issue%202/11.pdf

Increasingly co-creativity and participation are considered central aspects of practices across art and design (including architecture) (Bishop, Bourriaud, Hope, Kester, Till). The discourse on Web 2.0 (Leadbeater, Shirky) addresses co-creativity and... Read More about Practising equality? Issues for co-creative and participatory practices addressing social justice and equality..

Practising equality: issues for co-creative and participatory practices addressing social justice and equality. (2013)
Presentation / Conference Contribution
FREMANTLE, C. and HARRIS, P. 2013. Practising equality: issues for co-creative and participatory practices addressing social justice and equality. Presented at the 2013 Moving targets conference, 15-16 October 2013, Dundee, UK. Aberdeen: Robert Gordon University. Held on Vimeo [online]. Available from: https://vimeo.com/77427158

This exercise started from a hunch that it would be useful to break out of the somewhat enclosed discourses in the respective fields of media and art to see if there were useful experiences and even lessons by assuming that participation and co-creat... Read More about Practising equality: issues for co-creative and participatory practices addressing social justice and equality..

What goes around comes around? Craft revival, the 1970s and today. (2013)
Journal Article
PEACH, A. 2013. What goes around comes around? Craft revival, the 1970s and today. Craft research [online], 4(2), pages 161-179. Available from: https://doi.org/10.1386/crre.4.2.161_1

This article critically reviews the concept of 'revival' in relation to making in contemporary culture. The 1970s are a period, which craft historians and theorists generally acknowledge as one of revival and reinvention of craft practice across Brit... Read More about What goes around comes around? Craft revival, the 1970s and today..

Supporting the creative industries: the rationale for an exchange of thinking between the art and business schools. (2013)
Journal Article
KEARNEY, G. and HARRIS, P., 2013. Supporting the creative industries: the rationale for an exchange of thinking between the art and business schools. International journal of education through art [online], 9(3), pages 311-326. Available from: https://doi.org/10.1386/eta.9.3.311_1

Increasing interest in the concept of the Creative Industries with emphasis upon the industry aspect, presents questions as to how Art Schools can best prepare students. Indeed the industrial aspect encourages consideration of business and entreprene... Read More about Supporting the creative industries: the rationale for an exchange of thinking between the art and business schools..

Beyond the creative industries. (2013)
Journal Article
MACDONALD, S. 2013. Beyond the creative industries. International journal of education through art [online], 9(3), pages 293-309. Available from: https://doi.org/10.1386/eta.9.3.293_1

Although Creative Industries as engines of post-industrial economies have assumed an increasing global priority with implications for art education at all levels few studies exist. Nomenclature here is contested, especially when arts role appears fre... Read More about Beyond the creative industries..

Drawing and the score. (2013)
Book Chapter
DOUGLAS, A. 2013. Drawing and the score. In De Assis, P., Brooks, W. and Coessens, K. Sound and score: essays on sound, score and notation. Orpheus Institute series. Leuven: Leuven University Press [online], chapter 14, pages 206-217. Available from: https://lup.be/collections/series-orpheus-institute-series/products/100421

Traditionally a score in Western classical music has ensured the music’s presentation and replication to an audience. Drawings as blueprints in architecture/engineering ensure that designs are translated into real structures in ways that are more or... Read More about Drawing and the score..

Transferable skills and the drug dependent: a journey through the city of Glasgow. (2013)
Journal Article
HACKETT, C. 2013. Transferable skills and the drug dependent: a journey through the city of Glasgow. International journal of social, political and community agendas in the arts [online], 7(3), pages 1-14. Available from: https://doi.org/10.18848/2326-9960/CGP/v07i03/36367

Voices narrate their views on skills, transferable skills, marginalisation and poverty in relation to society, opportunity and drug addiction. Narcotic addicts need to educate themselves on where to source and buy drugs and how to go about raising en... Read More about Transferable skills and the drug dependent: a journey through the city of Glasgow..

Is specialist designer an oxymoron? (2013)
Presentation / Conference Contribution
GULARI, M.N. and FAIRBURN, S. 2013. Is specialist designer an oxymoron? The value of specialisation in the design field. In Bohemia, E., Ion, W., Kovacevic, A., Lawlor, J., McGrath, M., McMahon, C., Parkinson, B., Reilly, G., Ring, M., Simpson, R. and Tormey, D. (eds.) Proceedings of the 15th International on engineering and product design education conference (E&PDE13): design education - growing our future, 5-6 September 2013, Dublin, Ireland. Glasgow: The Design Society/Institution of Engineering Designers [online], pages 246-251. Available from: https://www.designsociety.org/publication/34720.

Jack-of-all-trades, master of none is a figure of speech that suits generalists well. Having special knowledge is usually confused with being an expert. Does it mean that a non-specialist or a generalist is not an expert? Curriculums of many design s... Read More about Is specialist designer an oxymoron?.