All Outputs (4)

'Context is half the work': developing doctoral research through arts practice in culture. (2015)
Book Chapter
DOUGLAS, A. 2016. 'Context is half the work': developing doctoral research through arts practice in culture. In Cartiere, C. and Zebracki, M. (eds.) The everyday practice of public art: art, space and social inclusion. Abingdon: Routledge [online], chapter 8. Available at: https://www.routledge.com/The-Everyday-Practice-of-Public-Art-Art-Space-and-Social-Inclusion/Cartiere-Zebracki/p/book/9781138829213

In 2001-4, a small research team of post doctoral and doctoral artist researchers, working with five cultural partners drew together two apparently incommensurable issues: remote rural culture and contemporary art. The thrust of their questions was s... Read More about 'Context is half the work': developing doctoral research through arts practice in culture..

Variable geometry: contemporary art in Bosnia-Herzegovina. (2015)
Book Chapter
BLACKWOOD, J. 2015. Variable geometry: contemporary art in Bosnia-Herzegovina. In Lydic, L. and Westphal, B. The silence and the word in the aftermath of the Yugoslav wars. Limoges: PULIM, chapter 11.

The notion of 'conflict' in contemporary art in BiH is multi-faceted. The artistic processing of the catastrophic legacy of the 1992-95 war of ethnic aggression is still ongoing; internationally, the works of artists such as Sejla Kameri{acute}c, and... Read More about Variable geometry: contemporary art in Bosnia-Herzegovina..

Making maps and exploring territory. (2015)
Book Chapter
DOUGLAS, A. and HOPE, M. 2015. Making maps and exploring territory. In Newling, J. The last islands. Banchory: Woodend Barn Publishing, pages 55-59.

This essay co-authored with Mark Hope, co-founder of the Barn, Banchory, forms a chapter in the book, The last islands published on the occasion on the opening of The Map Room of the Last Islands, new work by John Newling at Woodend Barn, Banchory, A... Read More about Making maps and exploring territory..

Body, sign and double: a parallel analysis of Elain Shemilt's "Doppelganger", Federica Marangoni's "The box of life", and Sanja Ivekovic's "Instructions no.1" and "Make up - make down". (2015)
Book Chapter
LEUZZI, L., SHEMILT, E. and PARTRIDGE, S. 2015. Body, sign and double: a parallel analysis of Elain Shemilt's "Doppelganger", Federica Marangoni's "The box of life", and Sanja Ivekovic's "Instructions no.1" and "Make up - make down". In Catricalà, V. (ed.) Media art: towards a new definition of arts in the age of technology. Pistoia: Gli Ori, pages 97-103.

Body; identity; self-representation; sexuality; stereotypical images of women as portrayed by the society and the media; the condition of female professional artists: these themes were expressed and developed in several early video works in the 1970s... Read More about Body, sign and double: a parallel analysis of Elain Shemilt's "Doppelganger", Federica Marangoni's "The box of life", and Sanja Ivekovic's "Instructions no.1" and "Make up - make down"..