All Outputs (4)

The Harrisons' practice in the context of global environmental policy and politics from the 1960s to 2019: a timeline. (2020)
Book Chapter
FREMANTLE, C., DOUGLAS, A. and PRITCHARD, D. 2020. The Harrisons' practice in the context of global environmental policy and politics from the 1960s to 2019: a timeline. In Cartiere, C. and Tan, L. (eds.). The Routledge companion to art in the public realm. Abingdon: Routledge, chapter 28, pages 314-332. Available from: https://doi.org/10.4324/9780429450471-28

This chapter complements a previous chapter, 'In the time of art with policy' from the same book. The three authors, Fremantle, Douglas and Pritchard, offer different disciplinary perspectives to this analysis of global environmental policy and the... Read More about The Harrisons' practice in the context of global environmental policy and politics from the 1960s to 2019: a timeline..

In the time of art with policy: the practice of Helen Mayer Harrison and Newton Harrison alongside global environmental policy since the 1970s. (2020)
Book Chapter
FREMANTLE, C., DOUGLAS, A. and PRITCHARD, D. 2020. In the time of art with policy: the practice of Helen Mayer Harrison and Newton Harrison alongside global environmental policy since the 1970s. In Cartiere, C. and Tan, L. (eds.). The Routledge companion to art in the public realm. Abingdon: Routledge [online], chapter 27, pages 300-314. Available from: https://doi.org/10.4324/9780429450471-27

From around 1970, the artists Helen Mayer Harrison (1927-2018) and Newton Harrison (b. 1932), known as ‘the Harrisons,’ started to focus on ecology and ecological systems, influenced by amongst other things, Rachel Carson’s Silent Spring which had be... Read More about In the time of art with policy: the practice of Helen Mayer Harrison and Newton Harrison alongside global environmental policy since the 1970s..

Apocalyptic sublimes and the recalibration of distance: doing art-anthropology in post-disaster Japan. (2020)
Book Chapter
CLARKE, J. 2020. Apocalyptic sublimes and the recalibration of distance: doing art-anthropology in post-disaster Japan. In Schorch, P., Saxer, M. and Elders, M. (eds.) Exploring materiality and connectivity in anthropology and beyond. London: UCL Press [online], pages 172-190. Available from: https://doi.org/10.14324/111.9781787357488

On 11 March 2011, a ‘triple disaster’ (an earthquake – the strongest since records began – a subsequent tsunami, and a nuclear accident at the Fukushima Daiichi plant) devastated the Tohoku region of north-east Japan. This singular yet predictable ev... Read More about Apocalyptic sublimes and the recalibration of distance: doing art-anthropology in post-disaster Japan..

An alloy made from art and activism, in North Macedonia. (2020)
Book Chapter
BLACKWOOD, J. 2020. An alloy made from art and activism, in North Macedonia. In Steinbock, E., Leven, B. and de Valck, M. (eds.) Art and activism in the age of systemic crisis: aesthetic resilience. Abingdon: Routledge [online], chapter 7, pages 92-103. Available from: https://doi.org/10.4324/9780429269189-7

This chapter traces the development of an “alloy” of artist and activist strategies in the context of North Macedonia, during Nikola Gruevski’s right-wing conservative government (2006-16) and its turbulent overthrow; the chapter concludes by assessi... Read More about An alloy made from art and activism, in North Macedonia..