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Making poetry to invent policy: the practice of Helen Mayer Harrison and Newton Harrison. (2008)
Presentation / Conference
FREMANTLE, C. 2008. Making poetry to invent policy: the practice of Helen Mayer Harrison and Newton Harrison. Presented at the 5th Association for the Study of Literature and the Environment UK biennial conference (ASLE UK 2008): activism, apocalypse and the avant-garde, 10-13 July 2008, Edinburgh, UK.

The works of Helen Mayer Harrison (1927-2018) and Newton Harrison (b.1932) focus on large-scale landscape and environment issues from city scale to continental scale. The paper draws on Greenhouse Britain: Losing Ground, Gaining Wisdom (2008), Green... Read More about Making poetry to invent policy: the practice of Helen Mayer Harrison and Newton Harrison..

Research: knowledge and method: reflections on Helen Mayer Harrison, Newton Harrison and David Haley's practice. (2008)
Presentation / Conference
FREMANTLE, C., DOUGLAS, A. and HALEY, D. 2008. Research: knowledge and method: reflections on Helen Mayer Harrison, Newton Harrison and David Haley's practice. Presented at a Bright Sparks seminar, 2008, London, UK.

This paper is by way of an initial attempt to articulate a set of thoughts that are still emergent. These thoughts are concerned with artists working in public life. They are concerned with the form of research that artists do. They are concerned wit... Read More about Research: knowledge and method: reflections on Helen Mayer Harrison, Newton Harrison and David Haley's practice..

Breaking through the aesthetics of public art. (2008)
Presentation / Conference
DOUGLAS, A. and FREMANTLE, C. 2008. Breaking through the aesthetics of public art. Presented at Sensuous knowledge 5 (SK5): questioning qualities, 2008, Bergen, Norway.

Our research is concerned with the changing nature of public art. We work with the experience of making art, drawing on articulations of process developed by artists themselves as well as theorists and historians. We also create interventions with ot... Read More about Breaking through the aesthetics of public art..