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On the edge: a new articulation of the visual arts in rural and remote areas. (2002)
Book Chapter
DOUGLAS, A., GRAY, C. and DELDAY, H. 2002. On the edge: a new articulation of the visual arts in rural and remote areas. In E. McLean and S. Dougherty (eds.) Heaven on earth. Edinburgh: Fruitmarket Gallery, pages 14-27.

This publication was published to accompany the forum Heaven on Earth which took place at Duncan of Jordanstone College of Art and Design on 7 December 2001.

Reinterpreting the craft object. (2002)
Presentation / Conference
PEACH, A. and REW, C. 2002. Reinterpreting the craft object. Presented at Craft in the twenty-first century: theorising change and practice, 15-17 November 2002, Edinburgh, UK.

How does an art gallery make its collection more accessible and meaningful to students of design and craft today? How can todays students be persuaded that galleries are not simply places ˜full of old stuff, but instead a potentially valuable and sti... Read More about Reinterpreting the craft object..

The cabinet of Edgar Allan Poe: towards a feminist remodelling of (meta)history. (2002)
Journal Article
KOKOLI, A. 2002. The cabinet of Edgar Allan Poe: towards a feminist remodelling of (meta)history. In-between: essays and studies in literary criticism, 11(1), pages 55-70.

Angela Carter's 1982 short story "The cabinet of Edgar Allan Poe" is a fictional biographical account of the development and "coming to writing" of the author named in the title, while also paying tribute to Poe's poetics of the short story. The infl... Read More about The cabinet of Edgar Allan Poe: towards a feminist remodelling of (meta)history..

Mappin open solo show. [Exhibition] (2002)
Exhibition / Performance
Mappin open solo show. Exhibition held on 31 January - 30 April 2002, Mapping Art Gallery, Sheffield.

The images provided here are just two from a larger body of work entitled 'Narrative Driven By Shape'. This, along with other works, formed the basis of a solo show held at The Mappin Art Gallery in Sheffield from January to April 2002.

The glamour. (2001)
Physical Artefact
TATHAM, J. and O'SULLIVAN, T. 2001. The glamour. [Lighting installation].

The Glamour was commissioned for the 2nd Berlin Biennale, held on 20 April - 20 June 2001. It was a continuation of The Glamour project that was first initiated in 2000 at the Transmission Gallery, Glasgow. It is composed of a set of devices - mirror... Read More about The glamour..

HK. [Exhibition] (2001)
Exhibition / Performance
HK. Exhibition held on 23 November 2001 - 20 January 2002, Tramway, Glasgow.

HK was a solo exhibition commissioned by Tramway, Glasgow. The central component of the exhibition was the words HEROIN KILLS presented as six-metre high sculptural forms. This word-sculpture was situated within both the context of Glasgow, as a city... Read More about HK. [Exhibition].

36 units. (1999)
Physical Artefact
DUNBAR, L. 1999. 36 units. [Prints].

36 Units was a set of intaglio prints constructed from over 200 plates. The work was exhibited at the following galleries between 1999 and 2000: Jewett Arts Centre, Boston; Kansas State University Gallery, Manhattan; Compass Gallery, Glasgow; Peacock... Read More about 36 units..

The role of artists in the public realm: an investigation into artists' generative processes in context. (1999)
Thesis
SILVER, S. 1999. The role of artists in the public realm: an investigation into artists' generative processes in context. Robert Gordon University, PhD thesis.

A shift in practice towards a process-orientated and collaborative art practice within the strands of art practice in the public realm raises the question, what is the practical contribution artists make to society' which can only be answered by firs... Read More about The role of artists in the public realm: an investigation into artists' generative processes in context..

Re:presenting making: the integration of new technology into ceramic designer-maker practice. (1998)
Thesis
BUNNELL, K. 1998. Re:presenting making: the integration of new technology into ceramic designer-maker practice. Robert Gordon University, PhD thesis.

See Coversheet for system requirements. The aim of the research is to integrate computer technologies and environmentally - sensitive materials and processes into the practice of the ceramic designer-maker, in order to assess the impact of new techno... Read More about Re:presenting making: the integration of new technology into ceramic designer-maker practice..

Environmentally sensitive printmaking: a framework for safe practice. (1997)
Thesis
PENGELLY, J. 1997. Environmentally sensitive printmaking: a framework for safe practice. Robert Gordon University, PhD thesis.

This research is concerned with establishing a rationale which will link safe printmaking practices with artists' individual and sustainable creative practices, by investigating the preconception that printmaking practices may be limited by adopting... Read More about Environmentally sensitive printmaking: a framework for safe practice..

Developing a research procedures programme for artists & designers. (1995)
Report
GRAY, C., DOUGLAS, A., LEAKE, I., MALINS, J. 1995. Developing a research procedures programme for artists & designers. Aberdeen: Robert Gordon University.

This paper builds on our earlier research concerned with describing a contextual framework for the development of ˜artistic research procedures1, 2, and attempts to move forward from this somewhat philosophical stage into more practical territory. Ov... Read More about Developing a research procedures programme for artists & designers..

Research procedures/methodology for artists and designers. (1993)
Report
GRAY, C. and MALINS, J. 1993. Research procedures/methodology for artists and designers. Aberdeen: Robert Gordon University.

This paper attempts to put into context the issues which surround the endeavours of researchers working in the field of Art and Design, in particular the philosophy and context of research procedures / methodologies. The introduction provides some de... Read More about Research procedures/methodology for artists and designers..

The monitoring and control of specialist ceramic kiln atmospheres and emissions. (1993)
Thesis
MALINS, J.P. 1993. The monitoring and control of specialist ceramic kiln atmospheres and emissions. Robert Gordon University, PhD thesis.

The ceramic glazing techniques of vapour glazing, reduction lustre, Raku and fuming all require specialised firing conditions with the use of potentially hazardous kiln atmospheres and specialist kiln designs for their successful execution. The techn... Read More about The monitoring and control of specialist ceramic kiln atmospheres and emissions..

An exploration of the principle of chance as a stimulus to the creative activity known as sculpture. (1992)
Thesis
WATSON, A. 1992. An exploration of the principle of chance as a stimulus to the creative activity known as sculpture. Robert Gordon University, PhD thesis.

This research is concerned with the utilization of chance as a stimulus to encourage experiment and discovery in sculpture. The aims of this research project were: to examine the role of chance within the creative process and previous artists' use of... Read More about An exploration of the principle of chance as a stimulus to the creative activity known as sculpture..


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