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All Outputs (3)

A’ that’s past forget – forgie: national drama and the construction of Scottish national identity on the nineteenth-century stage. (2018)
Journal Article
SLEDZINSKA, P. 2018. A’ that’s past forget – forgie: national drama and the construction of Scottish national identity on the nineteenth-century stage. Studies in Scottish literature [online], 44(2), article 5, pages 37-50. Available from: https://scholarcommons.sc.edu/ssl/vol44/iss2/5/

Focused on dramatic adaptations of Walter Scott’s Rob Roy and Waverley for the Theatre Royal, Edinburgh, by Isaac Pocock and John W. Calcraft, this essay explores "how the conflicted Lowland and Highland traditions became incorporated into the new im... Read More about A’ that’s past forget – forgie: national drama and the construction of Scottish national identity on the nineteenth-century stage..

Staging contemporary identities: National Theatre of Scotland's 'Glasgow Girls' through the prism of multimodal discourse analysis. (2017)
Journal Article
SLEDZINSKA, P.M., 2017. Staging contemporary identities: National Theatre of Scotland’s 'Glasgow Girls' through the prism of multimodal discourse analysis. International journal of Scottish theatre and screen [online], 10, pages 69–91. Available from: https://web.archive.org/web/20210516184331/https://ijosts.ubiquitypress.com/43/volume/10/issue/0/

In 2016 the National Theatre of Scotland (NTS) celebrated its tenth anniversary. Since its inaugural performances of Home the company has contributed substantially to the shaping of Scotland’s cultural landscape. Through its structure of a collaborat... Read More about Staging contemporary identities: National Theatre of Scotland's 'Glasgow Girls' through the prism of multimodal discourse analysis..