All Outputs (3)

The arts as a means of cultural integration: a Chilean case study. (2007)
Thesis
RODRÍGUEZ-REMEDI, A. 2007. The arts as a means of cultural integration: a Chilean case study. Robert Gordon University, PhD thesis.

How might the arts help to unveil and integrate realities so as to facilitate shared meanings and understandings between peoples and thus generate the conditions for the participatory, creative cultural diversity which may contribute to the construct... Read More about The arts as a means of cultural integration: a Chilean case study..

An investigation into the communication exchange between small business client and graphic designer. (2007)
Thesis
CUMMING, D. 2007. An investigation into the communication exchange between small business client and graphic designer. Robert Gordon University, PhD thesis.

Graphic designers encounter particular difficulties when undertaking work for small business clients. Identifying the core business values is an essential step to ensure that a successful design solution results. An initial case study involving the m... Read More about An investigation into the communication exchange between small business client and graphic designer..

Away from end product or genre: a protocol as artistic language: evolving a critical framework for contemporary visual art practice in the public (or social) realm, 2000-2003. (2007)
Thesis
BOURNE, S. 2007. Away from end product or genre: a protocol as artistic language: evolving a critcal framework for contemporary visual art practice in the public (or social) realm, 2000-2003. Robert Gordon University, PhD thesis. Hosted on OpenAIR [online]. Available from: https://doi.org/10.48526/rgu-wt-1437838

For contemporary visual art to be visible and exist as art in peer networks it usually depends upon its transformation into objects. Can we define and test out an alternative visibility more adequate to a production that is 'an act of supplying'? I p... Read More about Away from end product or genre: a protocol as artistic language: evolving a critical framework for contemporary visual art practice in the public (or social) realm, 2000-2003..