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All Outputs (27)

Placing sound: a contextual exploration of personal identities in sound art discourse through performance art practice. (2019)
Thesis
ZEĆO, M. 2019. Placing sound: a contextual exploration of personal identities in sound art discourse through performance art practice. Robert Gordon University, PhD thesis. Hosted on OpenAIR [online]. Available from: https://doi.org/10.48526/rgu-wt-1713018

This practice-led research explores how personal identities shape listening experiences in the context of sound art discourse. The research aim is to develop a contextual approach to sound art practice, informed by personal experience of listening to... Read More about Placing sound: a contextual exploration of personal identities in sound art discourse through performance art practice..

How big is there? How long is now? Readings from selected texts by Helen Mayer Harrison and Newton Harrison. [Performance] (2019)
Exhibition / Performance
DOUGLAS, A. and FREMANTLE, C. 2019. How big is there? How long is now? Readings from selected texts by Helen Mayer Harrison and Newton Harrison. [Performance]. Performed on 30 March 2019, UNFIX festival, Glasgow.

This performance featured readings from selected poetic texts by Helen Mayer Harrison (1927-2018) and Newton Harrison (b. 1932), known as 'the Harrisons'. Chris Fremantle and Anne Douglas read six excerpts, which were selected to highlight the Harris... Read More about How big is there? How long is now? Readings from selected texts by Helen Mayer Harrison and Newton Harrison. [Performance].

Social art practices as feminist manifestos: radical hospitality in the archive. (2016)
Thesis
GAUSDEN, C. 2016. Social art practices as feminist manifestos: radical hospitality in the archive. Robert Gordon University, PhD thesis.

The research presents a practice-based examination of the politics and poetics of the manifesto form, drawing on feminist theoretical writing and activism alongside contemporary iterations of socially engaged art. It offers feminist manifestos as a l... Read More about Social art practices as feminist manifestos: radical hospitality in the archive..

The discourse of cultural leadership. (2016)
Thesis
PRICE, J.F.R. 2016. The discourse of cultural leadership. Robert Gordon University, PhD thesis.

Cultural leadership has been a key concept in cultural policy and training since 2002. Most closely associated with the UKs Clore Leadership Programme, it has been developed through various courses and initiatives domestically and internationally, in... Read More about The discourse of cultural leadership..

Artist as navigator: understanding how the social qualities of art influence organizational change; a methodology for art as a social practice. (2015)
Thesis
SMITH, H. 2015. Artist as navigator: understanding how the social qualities of art influence organizational change; a methodology for art as a social practice. Robert Gordon University, PhD thesis.

What insights can art reveal in the context of organizational change? How do artistic practices influence the way communities address change? In what ways can an individual artistic practice, concerned with the role of art in society, add new insight... Read More about Artist as navigator: understanding how the social qualities of art influence organizational change; a methodology for art as a social practice..

Drawing paper 8. (2015)
Newspaper / Magazine
DOUGLAS, A., GENEVER, K. and RAVETZ, A. (eds.) 2015. Drawing paper [online], 8. Available from: http://www.mikesstudio.co.uk/project/drawing-paper-8/

Drawing Paper - the free newspaper-based gallery concerned with contemporary drawing practice - returns. Our 8th issue was curated and produced in collaboration with Anne Douglas, Kate Genever and Amanda Ravetz.

Imperfect art: working in public: a case study of the Oakland Projects (1991-2001). (2013)
Thesis
LACY, S. 2013. Imperfect art: working in public: a case study of the Oakland Projects (1991-2001). Robert Gordon University, PhD Thesis.

In Mapping the Terrain: New Genre Public Art (1994) the author called for a new language of critique for the transient and publicly located art practices known today as social, or public, practices. Since that time authors have taken up the challenge... Read More about Imperfect art: working in public: a case study of the Oakland Projects (1991-2001)..

Curating as practice and profession: an exploration and definition of a contemporary independent curator. (2013)
Thesis
IRVING, I. 2013. Curating as practice and profession: an exploration and definition of a contemporary independent curator. Robert Gordon University, MPhil thesis.

(Research Aim) This research sets out to explore and define a Contemporary Independent Curator and his/her practice. This type and method of curating activity occurs in a cultural context by an individual who practices (mostly) outwith a cultural ins... Read More about Curating as practice and profession: an exploration and definition of a contemporary independent curator..

Negotiation-as-active-knowing: an approach evolved from relational art practice. (2013)
Thesis
CHU, C.Y. 2013. Negotiation-as-active-knowing: an approach evolved from relational art practice. Robert Gordon University, PhD thesis.

This PhD research offers a new conception of negotiation that attempts to re-imagine the roles of and relationships between artist and participant-other in social art practice. Negotiation is implicit in art practice, and is often used without elucid... Read More about Negotiation-as-active-knowing: an approach evolved from relational art practice..

Ecology and environmental art in public place: talking tree: won't you take a minute and listen to the plight of nature? (2012)
Thesis
GOTO COLLINS, R. 2012. Ecology and environmental art in public place: talking tree: won't you take a minute and listen to the plight of nature? Robert Gordon University, PhD thesis.

My research started with a question: Is it possible to create change if we understand life is interdependent and interrelated with nature in our environment? I researched this question from the perspective of a practising artist in the field of envir... Read More about Ecology and environmental art in public place: talking tree: won't you take a minute and listen to the plight of nature?.

Participating in the 'wrong' way? (2011)
Thesis
HOPE, C.S. 2011. Participating in the 'wrong' way? Practice based research into cultural democracy and the commissioning of art to effect social change. Birkbeck (University of London), PhD thesis.

Through this practice based research I argue that cultural democracy as a way of thinking contests dominant models of commissioning art to effect social change. A method of generative metaphor of critical distance emerges through four projects based... Read More about Participating in the 'wrong' way?.

A generative framework for computer-based interactive art in mass transport systems. (2011)
Thesis
HER, J.-J. 2011. A generative framework for computer-based interactive art in mass transport systems. Robert Gordon University, PhD thesis.

Over the course of the past decade the MRT (Mass Rapid Transit) stations in Taiwan have become open air art galleries: with more prominent and frequent display of various artistic creations in stations, including interactive artworks. However, unlike... Read More about A generative framework for computer-based interactive art in mass transport systems..

Artist as leader. [Video recording] (2008)
Digital Artefact
DAVIE, E. 2008. Artist as leader. [Video recording]. Edinburgh: Edinburgh College of Art.

Artist as Leader posed the questions: "what does leadership mean to artists," and "can artists be leaders?" The research formed a partnership between Performing Arts Labs, London, Cultural Enterprise Office, Glasgow and the Cultural Leadership Founda... Read More about Artist as leader. [Video recording].

Away from end product or genre: a protocol as artistic language: evolving a critical framework for contemporary visual art practice in the public (or social) realm, 2000-2003. (2007)
Thesis
BOURNE, S. 2007. Away from end product or genre: a protocol as artistic language: evolving a critcal framework for contemporary visual art practice in the public (or social) realm, 2000-2003. Robert Gordon University, PhD thesis. Hosted on OpenAIR [online]. Available from: https://doi.org/10.48526/rgu-wt-1437838

For contemporary visual art to be visible and exist as art in peer networks it usually depends upon its transformation into objects. Can we define and test out an alternative visibility more adequate to a production that is 'an act of supplying'? I p... Read More about Away from end product or genre: a protocol as artistic language: evolving a critical framework for contemporary visual art practice in the public (or social) realm, 2000-2003..

Research papers: leading through practice. (2007)
Journal Article
DOUGLAS, A. and FREMANTLE, C. (eds.) 2007. Research papers: leading through practice. a-n magazine [online], 2007(3), supplement. Available from: https://www.a-n.co.uk/tag/leading-through-practice.

Artist as Leader is a programme that aims to understand the ways artists lead through their practice with a view to informing and developing a critical understanding of the role of creativity in culture. There are two complimentary parts to the Artis... Read More about Research papers: leading through practice..

'Close' as a construct to critically investigate the relationship between the visual artist and the everyday. (2006)
Thesis
DELDAY, H. 2006. 'Close' as a construct to critically investigate the relationship between the visual artist and the everyday. Robert Gordon University, PhD thesis.

This research proposes and develops a critical framework - a 'matrix' to make sense of the artistic process from the practitioner's perspective. It draws from the research of de Certeau into everyday culture and the art historical discourse of Bourri... Read More about 'Close' as a construct to critically investigate the relationship between the visual artist and the everyday..

Inthrow. (2004)
Book
DOUGLAS, A. (ed.) 2005. Inthrow. Aberdeen: Robert Gordon University.

Inthrow was developed in partnership with Chris Fremantle of the Scottish Sculpture Workshop, On the Edge Research and lead artist Gavin Renwick. The Scottish Sculpture Workshop (SSW) is based in the rural village of Lumsden, Aberdeenshire. The chall... Read More about Inthrow..

Celestial ceiling: contemporary art, built heritage and patronage. (2004)
Book
DOUGLAS, A. (ed.) 2004. Celestial ceiling: contemporary art, built heritage and patronage. Aberdeen: Robert Gordon University.

The Celestial Ceiling project was developed in partnership with Charles Burnett of Duff House, Banff, the Schleiffer family of Cullen House, On the Edge Research and the artists John McGeoch and Robert Orchardson. Duff House, an Adams building, is pa... Read More about Celestial ceiling: contemporary art, built heritage and patronage..

The development of strategies for interdisciplinary collaboration from within the visual arts. (2003)
Thesis
SCOPA, K. 2003. The development of strategies for interdisciplinary collaboration from within the visual arts. Robert Gordon University, PhD thesis.

The current cultural climate is stimulating an increasing interest in, and need for, collaboration throughout many fields of practice. Collaborative methods of art production are evident across a range of contemporary visual art practices and opportu... Read More about The development of strategies for interdisciplinary collaboration from within the visual arts..

The role of artists in the public realm: an investigation into artists' generative processes in context. (1999)
Thesis
SILVER, S. 1999. The role of artists in the public realm: an investigation into artists' generative processes in context. Robert Gordon University, PhD thesis.

A shift in practice towards a process-orientated and collaborative art practice within the strands of art practice in the public realm raises the question, what is the practical contribution artists make to society' which can only be answered by firs... Read More about The role of artists in the public realm: an investigation into artists' generative processes in context..