Placing sound: a contextual exploration of personal identities in sound art discourse through performance art practice. [Appendices]

Abstract

These multimedia appendices accompany a thesis that formed part of a PhD awarded by Robert Gordon University. The practice-led research represented in both the thesis and these appendices explores how personal identities shape listening experiences in the context of sound art discourse. The research aim is to develop a contextual approach to sound art practice, informed by personal experience of listening to place. These challenges are summed up in pieces of performance art that also highlight the interdisciplinary nature of sound art.

Citation

ZEĆO, M. 2019. Placing sound: a contextual exploration of personal identities in sound art discourse through performance art practice. [Appendices]. Hosted on OpenAIR [online]. Available from: https://rgu-repository.worktribe.com/output/1831816

• Deposit Date: Dec 9, 2022
• Publicly Available Date: Dec 9, 2022
• Keywords: Place-making; Soundscapes; Listening; Performance art; Sound art; Contemporary art; Art and society
• Public URL: https://rgu-repository.worktribe.com/output/1831816
• Related Public URLs: https://doi.org/10.48526/rgu-wt-1713018 (Thesis main text)
• Type of Data: MP4 video files; MP3 audio files; PNG image files; PDF documents and a supporting TXT file.
• Collection Date: Nov 30, 2019
• Collection Method: Soundwalking, field recording, photography and interviews with selected residents in four places: Banchory and Aberdeen in Scotland, and Maglaj and Sarajevo in Bosnia and Herzegovina.
• Additional Information: This record is for the appendices from the thesis. The main text of the thesis is also available on OpenAIR: https://doi.org/10.48526/rgu-wt-1713018