How images actually work: settling a longstanding debate.

Hamlyn, Jim

Abstract

As a cultural innovation, image-making is perhaps one of our most enduring forms of new media. The many technical developments necessary for the production of convincing images have emerged over the last 40,000 years, yet there is still widespread disagreement about how images actually function. Why, for instance, are animals largely indifferent to images whereas humans are fascinated by them? Several competing theories are in general circulation but it is a matter of considerable debate whether these adequately explain the mechanisms at work (or at fault) in the substitution of flat objects made of paper, pigment or pixels for the objects they represent. Since the 1960's, Australian art theorist Donald Brook has been exploring the implications of a theory of representation that has been published widely during this period. This work has been positively received but considering its implications it is somewhat surprising that it is not more widely known and discussed. This presentation focuses on a crucial element of Brook's theory which shows how imagistic representations rely not only on systematic sensory discrimination failures but on the procedural principles by which such discrimination failures can be exploited.

Citation

HAMLYN, J. 2015. How images actually work: settling a longstanding debate. Presented at the 6th International conference of the image: media materiality: towards critical economies of 'new' media, 29-30 October 2015, Berkeley, USA.

• Presentation Conference Type: Conference Paper (unpublished)
• Conference Name: 6th International conference of the image: media materiality: towards critical economies of 'new' media
• Start Date: Oct 29, 2015
• End Date: Oct 30, 2015
• Deposit Date: Dec 16, 2016
• Publicly Available Date: Dec 16, 2016
• Peer Reviewed: Peer Reviewed
• Keywords: Image; Representation; Depiction; Philosophy; Theory
• Public URL: http://hdl.handle.net/10059/2038
• Contract Date: Dec 16, 2016