Craft, souvenirs and the commodification of national identity in 1970s' Scotland.

Peach, Andrea

Abstract

This article explores the relationship between craft, national identity and the souvenir in 1970 Scotland. Britain experienced a revival of craft practice generally in 1970s' Scotland, but this paper argues that what happened in Scotland was distinct. The tourism industry in Scotland created a demand for objects representing 'Scottishness', with craft objects being consumed as souvenirs. This commodification of craft was supported by Scottish funding bodies, which encouraged craft practice as small business activity. Despite attempts by organizations such as the Highlands and Islands Development Board (HIDB) to regulate the quality of craft objects and promote a more contemporary identity for them, the prevailing consumer demand was for objects that reflected a historicist version of Scotland. Examining debates within 1970s' magazine Craftwork - Scotland's Magazine of the Crafts, as well as reports from the HIDB, this article illustrates that although tourism provided an opportunity to sustain and revitalize craft production in 1970s' Scotland, it did little to support a more contemporary craft aesthetic.

Citation

PEACH, A. 2007. Craft, souvenirs and the commodification of national identity in 1970s Scotland. Journal of design history [online], 20(3), pages 243-257. Available from: https://doi.org/10.1093/jdh/epm015

• Journal Article Type: Article
• Acceptance Date: Sep 21, 2007
• Online Publication Date: Sep 21, 2007
• Publication Date: Oct 31, 2007
• Deposit Date: May 5, 2011
• Publicly Available Date: May 5, 2011
• Journal: Journal of design history
• Print ISSN: 0952-4649
• Electronic ISSN: 1741-7279
• Publisher: Oxford University Press
• Peer Reviewed: Peer Reviewed
• Volume: 20
• Issue: 3
• Pages: 243-257
• DOI: https://doi.org/10.1093/jdh/epm015
• Keywords: 1970s Craft history; National identity; Scotland; Souvenirs; Tourism
• Public URL: http://hdl.handle.net/10059/612