Allington, Edward Thomas (1951-2017) (2021)
Book Chapter
WINTER, J. 2021. Allington, Edward Thomas (1951-2017). In Matthew, H.C.G. and Harrison, B. (eds.) Oxford dictionary of national biography. Oxford: OUP [online], article ID 90000380161. Available from: https://doi.org/10.1093/odnb/9780198614128.013.90000380161

In this article the author gives a biographical account of the life and work of artist and sculptor, Edward Thomas Allington.

An alloy made from art and activism, in North Macedonia. (2020)
Book Chapter
BLACKWOOD, J. 2020. An alloy made from art and activism, in North Macedonia. In Steinbock, E., Leven, B. and de Valck, M. (eds.) Art and activism in the age of systemic crisis: aesthetic resilience. Abingdon: Routledge [online], chapter 7, pages 92-103. Available from: https://doi.org/10.4324/9780429269189-7

This chapter traces the development of an “alloy” of artist and activist strategies in the context of North Macedonia, during Nikola Gruevski’s right-wing conservative government (2006-16) and its turbulent overthrow; the chapter concludes by assessi... Read More about An alloy made from art and activism, in North Macedonia..

Coming together differently: art, anthropology and the curatorial space. (2019)
Book Chapter
WINTER, J. 2020. Coming together differently: art, anthropology and the curatorial space. In Sansi, R. (ed.) The anthropologist as curator. Abingdon: Routledge [online], chapter 7, pages 115-132. Available from: https://doi.org/10.4324/9781003086819-7

The term 'curator' obviously encompasses a broad spectrum of practices. Like all disciplines the activity of curating is continually being redefined. This is a process that is pushed, challenged and accelerated in correspondence with artists and vari... Read More about Coming together differently: art, anthropology and the curatorial space..

On women's video art in the context of Yugoslavia, 1969-1991. (2019)
Book Chapter
BLACKWOOD, J. 2019. On women's video art in the context of Yugoslavia, 1969-1991. In Leuzzi, L., Shemilt, E. and Partridge, S. (eds.) EWVA: European women's video art in the 70s and 80s. East Barnet: John Libbey Publishing.

Written from our vantage point, the categories of ‘Yugoslavia’ and ‘video art’ are historical. Having grown up in the 1980s with video art as the most contemporary of the new art practices, and with Yugoslavia seemingly a permanent fixture on the map... Read More about On women's video art in the context of Yugoslavia, 1969-1991..

In the shadow of Alexander the Great: censorship, ideology and contemporary art in Macedonia. (2018)
Book Chapter
BLACKWOOD, J. 2018. In the shadow of Alexander the Great: censorship, ideology and contemporary art in Macedonia. In Kennedy, R. and Coulter, R. (eds.) Censoring art: silencing the artwork. London: I.B. Tauris [online], pages 137-155. Available from: https://www.bloomsbury.com/uk/censoring-art-9781838608118/

In this chapter the author discusses how censorship affects discourses of contemporary art in the Republic of Macedonia. The cultural, political and social contexts in Macedonia are outlined and differing standpoints on what constitutes contemporary... Read More about In the shadow of Alexander the Great: censorship, ideology and contemporary art in Macedonia..

Censoring contemporary art in Macedonia. (2018)
Book Chapter
BLACKWOOD, J. 2018. Censoring contemporary art in Macedonia. In Kennedy, R. and Coulter, R. (eds.) Censorship art: silencing the artwork. London: IB Tauris [online], chapter 8. Available from: https://www.bloomsbury.com/uk/censoring-art-9781788313834/

In this essay, we will consider how censorship affects discourses of contemporary art in the Republic of Macedonia. To do so, we must first outline the cultural, political and social contexts in Macedonia; consider some differing standpoints on what... Read More about Censoring contemporary art in Macedonia..

Variable geometry: contemporary art in Bosnia-Herzegovina. (2015)
Book Chapter
BLACKWOOD, J. 2015. Variable geometry: contemporary art in Bosnia-Herzegovina. In Lydic, L. and Westphal, B. The silence and the word in the aftermath of the Yugoslav wars. Limoges: PULIM, chapter 11.

The notion of 'conflict' in contemporary art in BiH is multi-faceted. The artistic processing of the catastrophic legacy of the 1992-95 war of ethnic aggression is still ongoing; internationally, the works of artists such as Sejla Kameri{acute}c, and... Read More about Variable geometry: contemporary art in Bosnia-Herzegovina..