Outputs (45)

Inconsistency and contradiction: lessons in improvisation in the work of Helen Mayer Harrison and Newton Harrison. (2016)
Book Chapter
DOUGLAS, A. and FREMANTLE, C. 2016. Inconsistency and contradiction: lessons in improvisation in the work of Helen Mayer Harrison and Newton Harrison. In Brady, J. (ed.) Elemental: an arts and ecology reader. Manchester: Gaia Project Press, [online]. Available from: https://www.cornerhousepublications.org/publications/elemental-an-arts-and-ecology-reader-gaia-project/

The essay draws out the learning from the authors' analysis of the practice of Helen Mayer Harrison (1927-2018) and Newton Harrison (b.1932), collectively known as 'the Harrisons'. Inconsistency and contradiction are conventionally eliminated in rese... Read More about Inconsistency and contradiction: lessons in improvisation in the work of Helen Mayer Harrison and Newton Harrison..

'Context is half the work': developing doctoral research through arts practice in culture. (2015)
Book Chapter
DOUGLAS, A. 2016. 'Context is half the work': developing doctoral research through arts practice in culture. In Cartiere, C. and Zebracki, M. (eds.) The everyday practice of public art: art, space and social inclusion. Abingdon: Routledge [online], chapter 8. Available at: https://www.routledge.com/The-Everyday-Practice-of-Public-Art-Art-Space-and-Social-Inclusion/Cartiere-Zebracki/p/book/9781138829213

In 2001-4, a small research team of post doctoral and doctoral artist researchers, working with five cultural partners drew together two apparently incommensurable issues: remote rural culture and contemporary art. The thrust of their questions was s... Read More about 'Context is half the work': developing doctoral research through arts practice in culture..

Variable geometry: contemporary art in Bosnia-Herzegovina. (2015)
Book Chapter
BLACKWOOD, J. 2015. Variable geometry: contemporary art in Bosnia-Herzegovina. In Lydic, L. and Westphal, B. The silence and the word in the aftermath of the Yugoslav wars. Limoges: PULIM, chapter 11.

The notion of 'conflict' in contemporary art in BiH is multi-faceted. The artistic processing of the catastrophic legacy of the 1992-95 war of ethnic aggression is still ongoing; internationally, the works of artists such as Sejla Kameri{acute}c, and... Read More about Variable geometry: contemporary art in Bosnia-Herzegovina..

Making maps and exploring territory. (2015)
Book Chapter
DOUGLAS, A. and HOPE, M. 2015. Making maps and exploring territory. In Newling, J. The last islands. Banchory: Woodend Barn Publishing, pages 55-59.

This essay co-authored with Mark Hope, co-founder of the Barn, Banchory, forms a chapter in the book, The last islands published on the occasion on the opening of The Map Room of the Last Islands, new work by John Newling at Woodend Barn, Banchory, A... Read More about Making maps and exploring territory..

Body, sign and double: a parallel analysis of Elain Shemilt's "Doppelganger", Federica Marangoni's "The box of life", and Sanja Ivekovic's "Instructions no.1" and "Make up - make down". (2015)
Book Chapter
LEUZZI, L., SHEMILT, E. and PARTRIDGE, S. 2015. Body, sign and double: a parallel analysis of Elain Shemilt's "Doppelganger", Federica Marangoni's "The box of life", and Sanja Ivekovic's "Instructions no.1" and "Make up - make down". In Catricalà, V. (ed.) Media art: towards a new definition of arts in the age of technology. Pistoia: Gli Ori, pages 97-103.

Body; identity; self-representation; sexuality; stereotypical images of women as portrayed by the society and the media; the condition of female professional artists: these themes were expressed and developed in several early video works in the 1970s... Read More about Body, sign and double: a parallel analysis of Elain Shemilt's "Doppelganger", Federica Marangoni's "The box of life", and Sanja Ivekovic's "Instructions no.1" and "Make up - make down"..

Working together. (2014)
Book Chapter
FREMANTLE, C. 2014. Working together. In Monoian, E., Ferry, R. and Land Art Generator Initiative (eds.) New energies: Land Art Generator Initiative, Copenhagen. London: Prestel [online], pages 2-5. Available from: https://landartgenerator.org/newsevents/?p=1216

The Land Art Generator Initiative asks artists and designers to work with renewable energy engineers to develop place-making proposals. Proposals to the Open Competitions are required to deliver mid-scale energy generation in the form of public art.... Read More about Working together..

Designing engagement: the new edge. (2013)
Book Chapter
MACDONALD, S. 2013. Designing engagement: the new edge. In Jokela, T., Coutts, G., Härkönen, E., and Huhmarniemi, M. (eds.) Cool: applied visual arts in the North. Rovaniemi: University of Lapland. Faculty of Art and Design, pages 54-67.

The participatory principle, though bred in late twentieth century countercultural politics, is an emerging trend in social policy and also the arts where it is associated with audience involvement that goes beyond passive consumption. This parallels... Read More about Designing engagement: the new edge..

Improvisation and embodied knowledge: three artistic projects between life, art and research. (2013)
Book Chapter
DOUGLAS, A. and COESSENS, K. 2013. Improvisation and embodied knowledge: three artistic projects between life, art and research. In Frisk, H. and Östersjö, S. (eds.) (Re)thinking improvisation: artistic explorations and conceptual writing. Malmö: Lund University, Malmö Academy of Music, pages 29-41.

In life there exists no script. The primacy of experience in the form of 'trying out' or improvisation, a moving from an indefinable and undifferentiated state to feeling our way by creating a direction. In art, improvisation is differently nuanced.... Read More about Improvisation and embodied knowledge: three artistic projects between life, art and research..

Drawing and the score. (2013)
Book Chapter
DOUGLAS, A. 2013. Drawing and the score. In De Assis, P., Brooks, W. and Coessens, K. Sound and score: essays on sound, score and notation. Orpheus Institute series. Leuven: Leuven University Press [online], chapter 14, pages 206-217. Available from: https://lup.be/collections/series-orpheus-institute-series/products/100421

Traditionally a score in Western classical music has ensured the music’s presentation and replication to an audience. Drawings as blueprints in architecture/engineering ensure that designs are translated into real structures in ways that are more or... Read More about Drawing and the score..

Retrofitting the International Space Station. (2009)
Book Chapter
FAIRBURN, S.M. 2009. Retrofitting the International Space Station. In Howe, S. and Sherwood, B. (eds.) Out of this world: the new field of space architecture. Reston, VA: American Insitute of Aeronautics and Astronautics [online], chapter 6, pages 59-70. Available from: https://doi.org/10.2514/5.9781563479878.0059.0070

Crew quarters (CQ) design was key to the habitability design of Skylab, with a specific goal of providing a private space for each crewmember, who might spend 6-8 hours a day there. Despite the privacy afforded by a designated place for each crewmemb... Read More about Retrofitting the International Space Station..