Improvisation and embodied knowledge: three artistic projects between life, art and research.
Douglas, Anne; Coessens, Kathleen
In life there exists no script. The primacy of experience in the form of 'trying out' or improvisation, a moving from an indefinable and undifferentiated state to feeling our way by creating a direction. In art, improvisation is differently nuanced. As artists, we cast a critical eye on the predetermined structures of social, cultural, material experience while recognising that freedom and constraint are profoundly interrelated. Improvisation in art across cultures is a specific approach to form making that centres the imagination (of creator/performer/spectator) precisely on managing the interplay between freedom and constraint.
DOUGLAS, A. and COESSENS, K. 2013. Improvisation and embodied knowledge: three artistic projects between life, art and research. In Frisk, H. and Östersjö, S. (eds.) (Re)thinking improvisation: artistic explorations and conceptual writing. Malmö: Lund University, Malmö Academy of Music, pages 29-41.
|Online Publication Date||Dec 31, 2013|
|Publication Date||Dec 31, 2013|
|Deposit Date||Sep 9, 2016|
|Publicly Available Date||Sep 9, 2016|
|Publisher||Lund University. Malmö Academy of Music|
|Book Title||(Re)thinking improvisation: artistic explorations and conceptual writing|
|Keywords||Improvisation; Art and society; Art and culture|
DOUGLAS 2013 Improvisation and embodied knowledge
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