Outputs (387)

Greenhouse Britain: losing ground, gaining wisdom (2006-09): case study. (2018)
Presentation / Conference
FREMANTLE, C. 2018. Greenhouse Britain: losing ground, gaining wisdom (2006-09): case study. Presented at 2018 Valuing nature annual conference, 13-14 November 2018, Cardiff, UK. Hosted on OpenAIR [online]. Available from: https://doi.org/10.48526/rgu-wt-249255

Greenhouse Britain: Losing Ground, Gaining Wisdom (2006-09) was a project resulting in a touring exhibition. It was created by the artists Helen Mayer Harrison and Newton Harrison (the Harrisons) and funded by DEFRA’s Climate Challenge Fund (£186,500... Read More about Greenhouse Britain: losing ground, gaining wisdom (2006-09): case study..

In the shadow of Alexander the Great: censorship, ideology and contemporary art in Macedonia. (2018)
Book Chapter
BLACKWOOD, J. 2018. In the shadow of Alexander the Great: censorship, ideology and contemporary art in Macedonia. In Kennedy, R. and Coulter, R. (eds.) Censoring art: silencing the artwork. London: I.B. Tauris [online], pages 137-155. Available from: https://www.bloomsbury.com/uk/censoring-art-9781838608118/

In this chapter the author discusses how censorship affects discourses of contemporary art in the Republic of Macedonia. The cultural, political and social contexts in Macedonia are outlined and differing standpoints on what constitutes contemporary... Read More about In the shadow of Alexander the Great: censorship, ideology and contemporary art in Macedonia..

Censoring contemporary art in Macedonia. (2018)
Book Chapter
BLACKWOOD, J. 2018. Censoring contemporary art in Macedonia. In Kennedy, R. and Coulter, R. (eds.) Censorship art: silencing the artwork. London: IB Tauris [online], chapter 8. Available from: https://www.bloomsbury.com/uk/censoring-art-9781788313834/

In this essay, we will consider how censorship affects discourses of contemporary art in the Republic of Macedonia. To do so, we must first outline the cultural, political and social contexts in Macedonia; consider some differing standpoints on what... Read More about Censoring contemporary art in Macedonia..

Heritage is the context for all that happens. [Solo Exhibition] (2018)
Exhibition / Performance
MORRIS, K.A. 2018. Heritage is the context for all that happens. [Solo Exhibition]. Exhibited 15-26 October 2018, Gray's School of Art, Aberdeen.

Working within heritage-based projects has been central to Kevin Morris' work and practice. Prior to this exhibition, the artist had recently been engaging with concepts of craft, material and place - initially motivated by an investigation of his ow... Read More about Heritage is the context for all that happens. [Solo Exhibition].

How big is here? (2018)
Presentation / Conference
FREMANTLE, C. 2018. How big is here? Space in the work of the Harrisons. Presented at the 2018 Gray's research conference: space and spatiality in creative practice, 5 October 2018, Aberdeen, UK.

In this article the author gives a brief exploration the work of 'the Harrisons', Helen Mayer Harrison and Newton Harrison who are pioneers of the ecoart movement. The article includes written text of the presentation as well as presentation slides.

End of part 1. [Oil on steel] (2018)
Physical Artefact
GILMOUR, L. 2018. End of part 1. [Oil on steel].

This painting was exhibted at "Fully Awake 3:5", an exhibition curated by Ian Hartshorne and Sean Kaye. This was a group exhibition featuring work by 36 artists and celebrating the intergenerational relationships formed by teaching painting in UK art... Read More about End of part 1. [Oil on steel].

The different audiences of Sophie Calle. (2018)
Journal Article
CLARKE, J. 2018. The different audiences of Sophie Calle. Suomen antropologi: journal of the Finnish Anthropological Society [online], 43(1), pages 39-40. Available from: https://doi.org/10.30676/jfas.v43i1.74071

This article is part of a special section in the journal which discusses Sophie Callie's work, contemporary art and anthropology.

Positive geographies: contemporary art from Aberdeen. [Exhibition] (2018)
Exhibition / Performance
Positive geographies: contemporary art from Aberdeen. Exhibition held on 8-18 June 2018, Look Again Festival, Aberdeen.

An exhibition of contemporary art by Jessica Barrie, Paula Buškevica, Donald Butler, Mary Gordon, Alexandra McGregor and Svetlana Panova, curated by Jon Blackwood.

Madelon Hooykaas: virtual walls, real walls: gestures, signs and traces of change, resilience and urban acupuncture. (2018)
Journal Article
LEUZZI, L. and NEDKOVA, I. 2018. Madelon Hooykaas: virtual walls, real walls: gestures, signs and traces of change, resilience and urban acupuncture. Read more: Horsecross Arts journal for critical writing [online], 14, pages 4-14. Available from: https://www.horsecross.co.uk/media/1883/read-more-issue-madelon-hooykaas.pdf

Madelon Hooykaas (born Maartensdijk, The Netherlands, 1942) ought to be acknowledged as one of the most representative visual artists in europe for her enduring and pioneering experimentation in contemporary art. Since the 1960s, Hooykaas has develop... Read More about Madelon Hooykaas: virtual walls, real walls: gestures, signs and traces of change, resilience and urban acupuncture..

Venturing out on the thread of a tune: the artist as improvisor in public life. (2018)
Book Chapter
DOUGLAS, A. 2018. Venturing out on the thread of a tune: the artist as improvisor in public life. In Oliver, J. (ed.) Creative practice and the art of association, trajectories of practice as research. Melbourne: University of Melbourne Press [online], chapter 6. https://www.mup.com.au/items/190001

In discussing the work of Wassily Kandinsky of some hundred years ago, Will Grohmann, an art historian, focuses on Kandinsky's effort to develop a new grammar for the visual arts. Kandinsky, Grohmann argues, undertakes a profound rethinking of visual... Read More about Venturing out on the thread of a tune: the artist as improvisor in public life..