Outputs (387)

Artist as navigator: understanding how the social qualities of art influence organizational change; a methodology for art as a social practice. (2015)
Thesis
SMITH, H. 2015. Artist as navigator: understanding how the social qualities of art influence organizational change; a methodology for art as a social practice. Robert Gordon University, PhD thesis.

What insights can art reveal in the context of organizational change? How do artistic practices influence the way communities address change? In what ways can an individual artistic practice, concerned with the role of art in society, add new insight... Read More about Artist as navigator: understanding how the social qualities of art influence organizational change; a methodology for art as a social practice..

Networks of attribution: the cultural origins of meaning. (2015)
Presentation / Conference
HAMLYN, J. 2015. Networks of attribution: the cultural origins of meaning. Presented at the 10th International conference on the arts in society: the work of art in the age of networked society, 22-24 July 2015, London, UK.

Despite the fact that we commonly refer to artworks as 'meaningful' things, this is not to say that meaning is an objective property analogous to size or shape. If meaning is not a physical property, then it follows that it can only be a way of using... Read More about Networks of attribution: the cultural origins of meaning..

Networks of meaning and interpretation: the cultural origins of symbolisation. (2015)
Presentation / Conference
HAMLYN, J. 2015. Networks of meaning and interpretation: the cultural origins of symbolisation. Presented at the 10th International conference on the arts in society: the work of art in the age of networked society, 22-24 July 2015, London, UK.

Despite the fact that we commonly refer to artworks as 'meaningful' things, this is not to say that meaning is an objective property analogous to size or shape. If meaning is not a physical property then it follows that it can only be a way of using... Read More about Networks of meaning and interpretation: the cultural origins of symbolisation..

Immersing the artist and designer in the needs of the clinician: evolving the brief for distraction and stress reduction in a new Child Protection Unit. (2015)
Conference Proceeding
FREMANTLE, C., HEPBURN, L-A., HAMILTON, A. and SANDS, J. 2015. Immersing the artist and designer in the needs of the clinician: evolving the brief for distraction and stress reduction in a new Child Protection Unit. In Christer, K. (ed.) Proceedings of the 3rd European conference on Design4Health 2015, 13-16 July 2015, Sheffield, UK. Sheffield; Sheffield Hallam University [online], pages 1-10. Available from: http://research.shu.ac.uk/design4health/wp-content/uploads/2015/07/D4H_Fremantle_et_al.pdf

Engaging clinicians in the design of new, less stressful spaces in healthcare is an interdisciplinary challenge for artists and designers. The design brief is the primary means of ensuring shared understanding and success criteria for creative projec... Read More about Immersing the artist and designer in the needs of the clinician: evolving the brief for distraction and stress reduction in a new Child Protection Unit..

Ambient interaction and situational influence: case studies in public sites. (2015)
Journal Article
HER, J.-J. and HAMLYN, J. 2015. Ambient interaction and situational influence: case studies in public sites. Digital creativity [online], 26 (3-4), pages 245-262. Available from: https://doi.org/10.1080/14626268.2015.1054038

An audience's direct physical intervention is widely believed to be instrumental in the field of interactive art. However, this long established expectation faces new challenges through the increasing accessibility of a growing diversity of interacti... Read More about Ambient interaction and situational influence: case studies in public sites..

Contesting agendas of participation in the arts. (2015)
Journal Article
PRICE, J. 2015. Contesting agendas of participation in the arts. Journal of arts and communities [online], 7(1-2), pages 17-31. Available from: https://doi.org/10.1386/jaac.7.1-2.17_1

Forms of participatory practice have become ever more widely employed across the arts in recent years, operating across various institutional settings and social contexts. It is misleading, however, to assume that a single agenda binds these developm... Read More about Contesting agendas of participation in the arts..

Drawing paper 8. (2015)
Other
DOUGLAS, A., GENEVER, K. and RAVETZ, A. (eds.) 2015. Drawing paper [online], 8. Available from: http://www.mikesstudio.co.uk/project/drawing-paper-8/

Drawing Paper - the free newspaper-based gallery concerned with contemporary drawing practice - returns. Our 8th issue was curated and produced in collaboration with Anne Douglas, Kate Genever and Amanda Ravetz.

Designing from the unfamiliar: how designing for space and extreme environments can generate spin-off and innovate product strategies. (2015)
Conference Proceeding
FAIRBURN, S. and DOMINONI, A. 2015. Designing from the unfamiliar: how designing for space and extreme environments can generate spin-off and innovate product strategies. In Valentine, L., Borja de Mozota, B., Nelson, J., Merter, S. and Atkinson, P. (eds.) Proceedings of the 11th International European Academy of Design conference (EAD 11): the value of design research, 22-24 April 2015, Paris, France. Sheffield: Sheffield Hallam University [online], track 16, paper 3. Available from: https://ead.yasar.edu.tr/wp-content/uploads/2017/02/EAD-11-How-Designing-for-Space-240315-1.pdf

We moderate our world and our interactions with objects and others through our behaviours, habitats, clothing and gadgetry. Designers seek new ways to innovate products but there is a limit to our experiences and observations of the everyday and ther... Read More about Designing from the unfamiliar: how designing for space and extreme environments can generate spin-off and innovate product strategies..

Collective futures: cultivating creative collectives. (2015)
Report
FAIRBURN, S., CHAN, R., MCGILLIVRAY, D., LIVINGSTON, B., DOCHERTY, C., ROSS, K. and KINNEAR, C. 2015. Collective futures: cultivating creative collectives. [Final Report]. Glasgow: Collective Futures.

Collective Futures was a partnership project between three highly regarded institutions operating in the creative industries: Gray's School of Art, University of The West of Scotland (UWS) and the Glasgow School of Art. The partners undertook a uniqu... Read More about Collective futures: cultivating creative collectives..

Ecoartscotland library / The Caledonian everyday. [Installation and seminar series] (2015)
Exhibition / Performance
FREMANTLE, C. 2015. Ecoartscotland library / The Caledonian everyday. Installation and seminar series held during the exhibition Sylva Caledonia, 4 April - 22 May 2015, Summerhall, Edinburgh.

The Sylva Caledonia exhibition was held on 4 April - 22 May 2015, Summerhall, Edinburgh, and formed part of the 2015 Edinburgh International Science Festival. Among other works, the exhibtion featured 'The Ecoartscotland Library' by Chris Fremantle -... Read More about Ecoartscotland library / The Caledonian everyday. [Installation and seminar series].