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Ethical design: a foundation for visual communication. (2016)
Thesis
BUWERT, P. 2016. Ethical design: a foundation for visual communication. Robert Gordon University, PhD thesis.

The central original contribution to knowledge proposed by this thesis is the setting forth of a conceptualisation of ethical theory specifically in relation to design, with a focus on visual communication design. Building on earlier work by design t... Read More

The discourse of cultural leadership. (2016)
Thesis
PRICE, J.F.R. 2016. The discourse of cultural leadership. Robert Gordon University, PhD thesis.

Cultural leadership has been a key concept in cultural policy and training since 2002. Most closely associated with the UKs Clore Leadership Programme, it has been developed through various courses and initiatives domestically and internationally, in... Read More

Understanding experimentation as improvisation in arts research. (2015)
Journal Article
DOUGLAS, A. and GULARI, M.N. 2015. Understanding experimentation as improvisation in arts research. Qualitative research journal [online], 15(4), pages 392-403. Available from: https://doi.org/10.1108/QRJ-06-2015-0035

Purpose - The purpose of this paper is to address the following questions: in what sense does experimentation as improvisation lead to methodological innovation? What are the implications of artistic experimentation as improvisation for education and... Read More

Artist as navigator: understanding how the social qualities of art influence organizational change; a methodology for art as a social practice. (2015)
Thesis
SMITH, H. 2015. Artist as navigator: understanding how the social qualities of art influence organizational change; a methodology for art as a social practice. Robert Gordon University, PhD thesis.

What insights can art reveal in the context of organizational change? How do artistic practices influence the way communities address change? In what ways can an individual artistic practice concerned with the role of art in society add new insights... Read More

Drawing paper 8. (2015)
Other
DOUGLAS, A., GENEVER, K. and RAVETZ, A. (eds.) 2015. Drawing paper [online], 8. Available from: http://www.mikesstudio....roject/drawing-paper-8/

Drawing Paper, the free newspaper based gallery concerned with contemporary drawing practice returns. Our 8th issue was curated and produced in collaboration with Anne Douglas, Kate Genever and Amanda Ravetz.

The graphic line-'an event in its own material'. (2014)
Presentation / Conference
DOUGLAS, A. and RAVETZ, A. 2014. The graphic line-'an event in its own material'. Presented at the Making traces symposium, 19-22 November 2014, Odense, Denmark.

Amanda Ravetz is a film maker and anthropologist. Anne Douglas is a visual artist with a background in sculpture. For the past couple of years, they have been collaborating together as associates in Tim Ingold's research project, exploring drawing in... Read More

Why drawing, now? (2014)
Journal Article
DOUGLAS, A., RAVETZ, A., GENEVER, K. and SIEBERS, J. 2014. Why drawing, now? Journal of arts and communities [online], 6(2-3), pages 119-131. Available from: https://doi.org/10.1386/jaac.6.2-3.119_1

This article takes the question 'why drawing, now?' as a speculative way to enter the debate on the relationship of art to different understandings of community. Drawing offers a paradox around the place of art in society. Drawing can be thought abou... Read More

Does the world draw? (2014)
Presentation / Conference
RAVETZ, A. and DOUGLAS, A. 2014. Does the world draw? Presented at the Tallin workshop, 1st August 2014, as part of the 13th European Association of Social Anthropologists biennial conference of collaboration intemacy and revolution (EASA 2014): innovation and continuity in an interconnected world, 31st July-3rd August 2014, Tallinn, Estonia.

Drawing can be explained in at least two ways: exemplifying trace, an inherent capacity or collection of characteristics in an individual (Nancy 2013) e.g. Rembrandt's drawing versus Van Gogh's drawing, the drawing of a particular thing in the world... Read More

Your thought will find the contours. (2014)
Presentation / Conference
DOUGLAS, A. and RAVETZ, A. 2014. Your thought will find the contours. Presented at Sewing lines, growing surfaces, breathing atmospheres: towards an ontogeny of things workshop, 2-3 July 2014, Weimar, Germany.

Our aim in this presentation is to report on research we have been doing around drawing and filming. As associates of Knowing from Inside, we are interested in discovering in what sense drawing and filming can be considered experiential ways of 'know... Read More

Encounter in art. (2014)
Presentation / Conference
DOUGLAS, A. 2014. Encounter in art. Presented at 2014 Art and encounter seminar: beyond audience develpment; why do artists engage publics in participation?, 14-30 March 2014, Melbourne, Australia.

This presentation explores how 'encounter' is different from 'event' and making this differentiation has important implications on how we imagine the relationship of art to audience. The author introduces some theoretical foundations to the notion of... Read More

Leading through art: exploring action and improvisation. (2014)
Presentation / Conference
DOUGLAS, A. 2014. Leading through art: exploring action and improvisation. Keynote presentation at the Macgeorge fellowship, Centre for creative partnerships, 4 March 2014, Melbourne, Australia.

A keynote such as this raises the expectations of a new beginning to a discourse, of presenting another way of thinking about a shared set of issues. The process of arriving at the focus of the keynote has been collaborative and discursive through a... Read More

Movement and moment: in-between discreteness and continuity. (2014)
Journal Article
DOUGLAS, A. and COESSENS, K. 2014. Movement and moment: in-between discreteness and continuity. Somatechnics [online], 4(1), pages 149-167. Available from: https://doi.org/10.3366/soma.2014.0117

This paper explores a paradox. We breathe in, and then out. We walk by making paces, alternating left and right feet. Walking and breathing are made up of discrete intervals of space and time, involuntary actions of the living body, sustaining contin... Read More

Drawing and the score. (2013)
Book
DOUGLAS, A. 2013. Drawing and the score. In De Assis, P., Brooks, W. and Coessens, K. Sound and score: essays on sound, score and notation. Leuven: Leuven University Press [online], chapter 14, pages 206-217. Available from: http://upers.kuleuven.be/en/book/9789058679765

Traditionally a score in Western classical music has ensured the music’s presentation and replication to an audience. Drawings as blueprints in architecture/engineering ensure that designs are translated into real structures in ways that are more or... Read More

Altering a fixed identity: thinking through improvisation. (2012)
Journal Article
DOUGLAS, A. 2012. Altering a fixed identity: thinking through improvisation. Critical studies in improvisation [online], 8(2), article number 2122. Available from: https://doi.org/10.21083/csieci.v8i2.2122

Replacing artist with player as if adopting an alias is a way of altering a fixed identity. And a changed identity is a principle of mobility, of going from one place to another¦ (Kaprow, Essays on the Blurring of Art and Life 125-6) This paper explo... Read More

Experiential knowledge and improvisation: variations on movement, motion, emotion. (2012)
Journal Article
DOUGLAS, A. and COESSENS, K. 2012. Experiential knowledge and improvisation: variations on movement, motion, emotion. Art, design and communication in higher education [online], 10(2), pages 179-198. Available from: https://doi.org/10.1386/adch.10.2.179_1

In this paper we position improvisation as a way of knowing that is experiential, pivotal to the bodys movement and growth in the world. Improvisation allows us to manage the constraints and freedoms of a world rich in possibilities, associations, an... Read More

The artistic turn: a manifesto. (2009)
Book
COESSENS, K., CRISPIN, D. and DOUGLAS, A. 2009. The artistic turn: a manifesto. Leuven: Leuven University Press.

Despite innovative developments in research in-and-through the arts in the past decade, the emergent field of artistic research remains controversial, and is accepted with varying degrees of enthusiasm in academic institutions. It is our contention t... Read More