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What poetry does best: the Harrisons' poetics of being and acting in the world.

Douglas, Anne; Fremantle, Chris

Authors

Anne Douglas



Contributors

Helen Mayer Harrison
Editor

Newton Harrison
Editor

Abstract

Simply paying attention guarantees the transformation from a nature supposedly asleep to the work that displays nature's strange vitality. Art is what attention makes with nature. This observation by Michel De Certeau, noted French philosopher of the everyday, writing the introduction to Helen Mayer Harrison and Newton Harrison's (hereafter the Harrisons) seminal work the Lagoon Cycle (1974-1984), gets to the heart of the Harrisons' project to understand and work with the agency of all things, and to recognize that attention is central to being and acting in the world. A question arises about how our attention, as listeners, readers, and viewers, is drawn into a work of art, or more specifically, how the Harrisons draw our attention through their poetics. One of the salient features of the Harrisons' work is attention to what is actually present, in the sense of suspending disbelief. The particular form of attention that the Harrisons exercise aligns with the forms of attention found in improvisation - being in the moment of an experience and using the materials at hand. They see improvisation within the rich potential of inconsistency and contradiction in human relations with environments. This acts as a stimulus to the improvising of new futures.

Citation

DOUGLAS, A. and FREMANTLE, C. 2016. What poetry does best: the Harrisons' poetics of being and acting in the world. In Harrison, H.M. and Harrison, N. (eds.) The time of the force majeure: after 45 years counterforce is on the horizon. Grantham: Prestel.

Publication Date Oct 25, 2016
Deposit Date Jan 23, 2017
Publicly Available Date Jan 23, 2017
Publisher Prestel
Book Title The time of the force majeure: after 45 years counterforce is on the horizon
ISBN 9783791355498
Keywords Helen Mayer Harrison; Newton Harrison; Poetry; Poetics; Poetry and society; Art and society
Public URL http://hdl.handle.net/10059/2128
Related Public URLs https://rgu-repository.worktribe.com/output/238230
https://rgu-repository.worktribe.com/output/673907
http://hdl.handle.net/10059/2769
http://hdl.handle.net/10059/1697
http://hdl.handle.net/10059/2770
https://rgu-repository.worktribe.com/output/696066

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