Outputs (7)

Re-enacting early video art as a research tool for media art histories. (2019)
Book Chapter
LEUZZI, L. 2019. Re-enacting early video art as a research tool for media art histories. In Grau, O., Hoth, J. and Wandl-Vogt, E. (eds.) Digital art through the looking glass: new strategies for archiving, collecting and preserving in digital humanities. Krems: Edition Donau-Universität Krems [online], pages 161-177. Available from: https://www.donau-uni.ac.at/dam/jcr:a29638aa-f334-4abb-9601-10e36652d09f/Digital_Art_through_the_Looking_Glass_updated.pdf

This paper will discuss re-enactment as a relevant tool for practice-based research to investigate pioneering video performances and video artworks from the 1970s and 1980s from a theoretical, art-historical and curatorial point of view. Since the ea... Read More about Re-enacting early video art as a research tool for media art histories..

Edimburgo - Roma 1967: connessioni italo-scozzesi sulle tracce della mostra Contemporary Italian Art alla Richard Demarco Gallery. (2019)
Journal Article
LEUZZI, L. 2019. Edimburgo – Roma 1967: connessioni italo-scozzesi sulle tracce della mostra Contemporary Italian Art alla Richard Demarco Gallery. Storia dell'arte [online], 151/152, pages 205-215. Available from: https://www.storiadellarterivista.it/shop/articoli/edimburgo-roma/

Since the 60s, the Italo-Scottish artist and cultural entrepreneur Richard Demarco (Edinburgh, 1930), has played a fundamental role in the production and promotion of European - and in particular Italian - visual and performing arts in Scotland. Dema... Read More about Edimburgo - Roma 1967: connessioni italo-scozzesi sulle tracce della mostra Contemporary Italian Art alla Richard Demarco Gallery..

Opaque documents. [Exhibition] (2019)
Exhibition / Performance
BONIZZI, V. 2019. Opaque documents. [Exhibition]. Exhibited 4-11 November 2019, Nomas* Projects, Dundee.

This solo exhibition, curated by Laura Leuzzi, featured two video works by artist Valentina Bonizzi. The works show the results and failures of the artist's persistent attempts to preserve a story - whether that of a small bird, or of a family album'... Read More about Opaque documents. [Exhibition].

Approaches, strategies and theoretical and practice-based research methods to investigate and archive video art: some reflections from the REWIND projects. (2019)
Presentation / Conference Contribution
LEUZZI, L., PARTRIDGE, S. and LOCKHART, A. 2019. Approaches, strategies and theoretical and practice-based research methods to investigate and archive video art: some reflections from the REWIND projects. In RE:SOUND 2019: proceedings of 8th Histories of media arts international conference 2019 (MAH 2019): sound, media and art; theories, histories, practices, 20-23 August 2019, Aalborg, Denmark. London: BCS, pages 274-282. Hosted on ScienceOpen [online]. Available from: https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/RESOUND19.41

This paper will discuss methodologies, approaches and issues, emerging out of three major research projects that have investigated early histories of video art in Europe: REWIND (2004 ongoing), REWINDItalia (2011-2014) and EWVA (2015-2018). The paper... Read More about Approaches, strategies and theoretical and practice-based research methods to investigate and archive video art: some reflections from the REWIND projects..

Self/portraits: the mirror, the self and the other: identity and representation in early women's video art in Europe. (2019)
Book Chapter
LEUZZI, L. 2019. Self/portraits: the mirror, the self and the other: identity and representation in early women's video art in Europe. In Leuzzi, L., Shemilt, E. and Partridge, S. (eds.) EWVA European women's video art in the 70s and 80s. Barnet: John Libbey Publishing, chapter 1, pages 7-24.

During the Renaissance, a new sense of agency in the role and identity of the artist stimulated the self-portrait as an independent genre. Since that period, many artists have explored this genre with different results and sensibilities, employing ne... Read More about Self/portraits: the mirror, the self and the other: identity and representation in early women's video art in Europe..

EWVA European women's video art in the 70s and 80s. (2019)
Book
LEUZZI, L., SHEMILT, E. and PARTRIDGE, S. (eds.) 2019. EWVA European women's video art in the 70s and 80s. Barnet: John Libbey Publishing.

"EWVA | European Women's Video Art in the 70s and 80s" is the main output of the eponymous research project funded by the Arts and Humanities Research Council and based at Duncan of Jordanstone College of Art and Design, University of Dundee. The res... Read More about EWVA European women's video art in the 70s and 80s..

Il talento e la sorte: la liaison Edimburgo-Venezia dell'Italian connection di Richard Demarco. (2019)
Journal Article
LEUZZI, L. 2019. Il talento e la sorte: la liaison Edimburgo-Venezia dell’Italian Connection di Richard Demarco. Engramma [online], 162, article 3546. Available from: http://www.engramma.it/eOS/index.php?id_articolo=3546

This article aims to give an overview of the Arts and Humanities Research Council funded research project, Richard Demarco’s The Italian Connection, based at Duncan of Jordanstone College of Art and Design at the University of Dundee, and to explore... Read More about Il talento e la sorte: la liaison Edimburgo-Venezia dell'Italian connection di Richard Demarco..