Outputs (44)

Sono mama: what goes without saying, right up until now? (2021)
Book Chapter
CLARKE, J. 2021. Sono mama: what goes without saying, right up until now? In The Roland Barthes Reading Group (eds.) Setting a bell ringing. The constellations, 17. London: MA Bibliothèque, pages 31-39.

I was moved to respond to the request to reflect on my experience of the Roland Barthes Reading Group partly because of the beautiful phrasing around ‘the situation of encounter'. I had joined this group as a visitor, intent only on dipping my toe in... Read More about Sono mama: what goes without saying, right up until now?.

Calendar variations. (2021)
Book Chapter
DOUGLAS, A. and FREMANTLE, C. 2022. Calendar variations. In Geffen, A., Rosenthal, A., Fremantle, C. and Rhamani, A. (eds.) Ecoart in action: activities, case studies and provocations for classroom and community. New York: New Village Press [online], section 2, case study 4. Available from: https://nyupress.org/9781613321461/ecoart-in-action/

The Work of Allan Kaprow (1927-2006). Allan Kaprow was interested in blurring the boundaries between art and life on the premise that “Life is more artlike than art”. He drew artists and participants into noticing and exploring life's spontaneous mo... Read More about Calendar variations..

Allington, Edward Thomas (1951-2017) (2021)
Book Chapter
WINTER, J. 2021. Allington, Edward Thomas (1951-2017). In Matthew, H.C.G. and Harrison, B. (eds.) Oxford dictionary of national biography. Oxford: OUP [online], article ID 90000380161. Available from: https://doi.org/10.1093/odnb/9780198614128.013.90000380161

In this article the author gives a biographical account of the life and work of artist and sculptor, Edward Thomas Allington.

The Harrisons' practice in the context of global environmental policy and politics from the 1960s to 2019: a timeline. (2020)
Book Chapter
FREMANTLE, C., DOUGLAS, A. and PRITCHARD, D. 2020. The Harrisons' practice in the context of global environmental policy and politics from the 1960s to 2019: a timeline. In Cartiere, C. and Tan, L. (eds.). The Routledge companion to art in the public realm. Abingdon: Routledge, chapter 28, pages 314-332. Available from: https://doi.org/10.4324/9780429450471-28

This chapter complements a previous chapter, 'In the time of art with policy' from the same book. The three authors, Fremantle, Douglas and Pritchard, offer different disciplinary perspectives to this analysis of global environmental policy and the... Read More about The Harrisons' practice in the context of global environmental policy and politics from the 1960s to 2019: a timeline..

In the time of art with policy: the practice of Helen Mayer Harrison and Newton Harrison alongside global environmental policy since the 1970s. (2020)
Book Chapter
FREMANTLE, C., DOUGLAS, A. and PRITCHARD, D. 2020. In the time of art with policy: the practice of Helen Mayer Harrison and Newton Harrison alongside global environmental policy since the 1970s. In Cartiere, C. and Tan, L. (eds.). The Routledge companion to art in the public realm. Abingdon: Routledge [online], chapter 27, pages 300-314. Available from: https://doi.org/10.4324/9780429450471-27

From around 1970, the artists Helen Mayer Harrison (1927-2018) and Newton Harrison (b. 1932), known as ‘the Harrisons,’ started to focus on ecology and ecological systems, influenced by amongst other things, Rachel Carson’s Silent Spring which had be... Read More about In the time of art with policy: the practice of Helen Mayer Harrison and Newton Harrison alongside global environmental policy since the 1970s..

Apocalyptic sublimes and the recalibration of distance: doing art-anthropology in post-disaster Japan. (2020)
Book Chapter
CLARKE, J. 2020. Apocalyptic sublimes and the recalibration of distance: doing art-anthropology in post-disaster Japan. In Schorch, P., Saxer, M. and Elders, M. (eds.) Exploring materiality and connectivity in anthropology and beyond. London: UCL Press [online], pages 172-190. Available from: https://doi.org/10.14324/111.9781787357488

On 11 March 2011, a ‘triple disaster’ (an earthquake – the strongest since records began – a subsequent tsunami, and a nuclear accident at the Fukushima Daiichi plant) devastated the Tohoku region of north-east Japan. This singular yet predictable ev... Read More about Apocalyptic sublimes and the recalibration of distance: doing art-anthropology in post-disaster Japan..

An alloy made from art and activism, in North Macedonia. (2020)
Book Chapter
BLACKWOOD, J. 2020. An alloy made from art and activism, in North Macedonia. In Steinbock, E., Leven, B. and de Valck, M. (eds.) Art and activism in the age of systemic crisis: aesthetic resilience. Abingdon: Routledge [online], chapter 7, pages 92-103. Available from: https://doi.org/10.4324/9780429269189-7

This chapter traces the development of an “alloy” of artist and activist strategies in the context of North Macedonia, during Nikola Gruevski’s right-wing conservative government (2006-16) and its turbulent overthrow; the chapter concludes by assessi... Read More about An alloy made from art and activism, in North Macedonia..

Re-enacting early video art as a research tool for media art histories. (2019)
Book Chapter
LEUZZI, L. 2019. Re-enacting early video art as a research tool for media art histories. In Grau, O., Hoth, J. and Wandl-Vogt, E. (eds.) Digital art through the looking glass: new strategies for archiving, collecting and preserving in digital humanities. Krems: Edition Donau-Universität Krems [online], pages 161-177. Available from: https://www.donau-uni.ac.at/dam/jcr:a29638aa-f334-4abb-9601-10e36652d09f/Digital_Art_through_the_Looking_Glass_updated.pdf

This paper will discuss re-enactment as a relevant tool for practice-based research to investigate pioneering video performances and video artworks from the 1970s and 1980s from a theoretical, art-historical and curatorial point of view. Since the ea... Read More about Re-enacting early video art as a research tool for media art histories..

Coming together differently: art, anthropology and the curatorial space. (2019)
Book Chapter
WINTER, J. 2020. Coming together differently: art, anthropology and the curatorial space. In Sansi, R. (ed.) The anthropologist as curator. Abingdon: Routledge [online], chapter 7, pages 115-132. Available from: https://doi.org/10.4324/9781003086819-7

The term 'curator' obviously encompasses a broad spectrum of practices. Like all disciplines the activity of curating is continually being redefined. This is a process that is pushed, challenged and accelerated in correspondence with artists and vari... Read More about Coming together differently: art, anthropology and the curatorial space..

From of, to with, to and? Anti-disciplinary exhibition making with art and anthropology. (2019)
Book Chapter
CLARKE, J. 2020. From of, to with, to and? Anti-disciplinary exhibition making with art and anthropology. In Sansi, R. (ed.) The anthropologist as curator. Abingdon: Routledge [online], chapter 8, pages 133-146. Available from: https://doi.org/10.4324/9781003086819-8

As lines between 'social practice' in art and social research blur, anthropologists are increasingly taking on curatorial roles in contemporary art settings and/or employing artistic methodologies in exhibition-making. This chapter explores some dyna... Read More about From of, to with, to and? Anti-disciplinary exhibition making with art and anthropology..