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Ghost hunting events and storytelling.

Ironside, Rachael J.

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Abstract

Ghost hunting events are a popular leisure activity providing visitors with an immersive dark experience, connecting them with the dark heritage and supernatural legends of a place. This research note aims to conceptualize the role of storytelling in the promotion, production, and participatory aspects of ghost hunting events. In doing so, the article argues that ghost hunting events draw upon coproductive and experiential forms of storytelling, and proposes a cyclical model to illustrate an ongoing, iterative process of narrative construction. As this research note suggests, preexisting narratives framed by the dark history and supernatural legends of a place help to frame promotional discourse and the production of events. However, extraordinary personal experiences, mediumistic intuition, and the collective interpretation of unusual activity shape and transform existing narratives. As such, this research note concludes that ghost hunting events are shaped by, and shape, storytelling through interactive and interpretative processes.

Citation

IRONSIDE, R.J. 2024. Ghost hunting events and storytelling. Event management [online], 28(4): festivals and storytelling: creating experiences through stories, places, and spaces, pages 649-654. Available from: https://doi.org/10.3727/152599524X17077053867629

Journal Article Type Article
Acceptance Date Oct 31, 2023
Online Publication Date Feb 26, 2024
Publication Date May 24, 2024
Deposit Date May 27, 2024
Publicly Available Date May 27, 2024
Journal Event management
Print ISSN 1525-9951
Electronic ISSN 1943-4308
Publisher Cognizant Communication Corporation
Peer Reviewed Peer Reviewed
Volume 28
Issue 4
Pages 649-654
DOI https://doi.org/10.3727/152599524X17077053867629
Keywords Coproduction; Dark tourism; Event; Experiential; Ghost hunting; Storytelling
Public URL https://rgu-repository.worktribe.com/output/2348740

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