Outputs (382)

Inner becomes outer and outer becomes other, or, You've gotta get into it to get out of it. (2002)
Physical Artefact
TATHAM, J. and O'SULLIVAN, T. 2002. Inner becomes outer and outer becomes other, or, You've gotta get into it to get out of it. [Sculptures].

Inner becomes Outer and Outer becomes Other was commissioned for a group exhibition of forty-one international artists, 'My Head Is On Fire But My Heart Is Full Of Love', 8 May - 9 June 2002, Charlottenborg Udstillgsbygning, Copenhagen. The curators... Read More about Inner becomes outer and outer becomes other, or, You've gotta get into it to get out of it..

Reinterpreting the craft object. (2002)
Presentation / Conference
PEACH, A. and REW, C. 2002. Reinterpreting the craft object. Presented at Craft in the twenty-first century: theorising change and practice, 15-17 November 2002, Edinburgh, UK.

How does an art gallery make its collection more accessible and meaningful to students of design and craft today? How can todays students be persuaded that galleries are not simply places full of old stuff, but instead a potentially valuable and stim... Read More about Reinterpreting the craft object..

The cabinet of Edgar Allan Poe: towards a feminist remodelling of (meta)history. (2002)
Journal Article
KOKOLI, A. 2002. The cabinet of Edgar Allan Poe: towards a feminist remodelling of (meta)history. In-between: essays and studies in literary criticism, 11(1), pages 55-70.

Angela Carter's 1982 short story "The cabinet of Edgar Allan Poe" is a fictional biographical account of the development and "coming to writing" of the author named in the title, while also paying tribute to Poe's poetics of the short story. The infl... Read More about The cabinet of Edgar Allan Poe: towards a feminist remodelling of (meta)history..

Breaking moulds: Brian Glassar. [Exhibition] (2002)
Exhibition / Performance
Breaking moulds: Brian Glassar. Exhibition held on 4 March - 3 April 2002, Scottish Gallery, Edinburgh.

These catalogue entries were written by Andrea Peach to accompany the exhibition at the Scottish Gallery in 2002. The casting of glass and iron, as both concept and process, is central to the work in this exhibition. Glassar’s recent work has explore... Read More about Breaking moulds: Brian Glassar. [Exhibition].

Mappin open solo show. [Exhibition] (2002)
Exhibition / Performance
Mappin open solo show. Exhibition held on 31 January - 30 April 2002, Mapping Art Gallery, Sheffield.

The images provided here are just two from a larger body of work entitled 'Narrative Driven By Shape'. This, along with other works, formed the basis of a solo show held at The Mappin Art Gallery in Sheffield from January to April 2002.

The glamour. (2001)
Physical Artefact
TATHAM, J. and O'SULLIVAN, T. 2001. The glamour. [Lighting installation].

The Glamour was commissioned for the 2nd Berlin Biennale, held on 20 April - 20 June 2001. It was a continuation of The Glamour project that was first initiated in 2000 at the Transmission Gallery, Glasgow. It is composed of a set of devices - mirror... Read More about The glamour..

HK. [Exhibition] (2001)
Exhibition / Performance
HK. Exhibition held on 23 November 2001 - 20 January 2002, Tramway, Glasgow.

HK was a solo exhibition commissioned by Tramway, Glasgow. The central component of the exhibition was the words HEROIN KILLS presented as six-metre high sculptural forms. This word-sculpture was situated within both the context of Glasgow, as a city... Read More about HK. [Exhibition].

36 units. (1999)
Physical Artefact
DUNBAR, L. 1999. 36 units. [Prints].

36 Units was a set of intaglio prints constructed from over 200 plates. The work was exhibited at the following galleries between 1999 and 2000: Jewett Arts Centre, Boston; Kansas State University Gallery, Manhattan; Compass Gallery, Glasgow; Peacock... Read More about 36 units..

The role of artists in the public realm: an investigation into artists' generative processes in context. (1999)
Thesis
SILVER, S. 1999. The role of artists in the public realm: an investigation into artists' generative processes in context. Robert Gordon University, PhD thesis.

A shift in practice towards a process-orientated and collaborative art practice within the strands of art practice in the public realm raises the question, what is the practical contribution artists make to society' which can only be answered by firs... Read More about The role of artists in the public realm: an investigation into artists' generative processes in context..

Re:presenting making: the integration of new technology into ceramic designer-maker practice. (1998)
Thesis
BUNNELL, K. 1998. Re:presenting making: the integration of new technology into ceramic designer-maker practice. Robert Gordon University, PhD thesis.

The aim of the research is to integrate computer technologies and environmentally - sensitive materials and processes into the practice of the ceramic designer-maker, in order to assess the impact of new technologies on practice. A critical contextua... Read More about Re:presenting making: the integration of new technology into ceramic designer-maker practice..