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Procession. [Oil and enamel on steel] (2019)
Physical Artefact
GILMOUR, L. 2019. Procession. [Oil and enamel on steel]. Hosted on Lyndsey Gilmour's webpage. Available from: https://lyndseygilmour.com/

This painting was exhibited at the SSA/VAS Open exhibition, 22 December 2019 - 30 January 2020, Royal Scottish Academy, Edinburgh. This installation attempted to respond to the architectural fixings within the Royal Scottish Academy Galleries. The ar... Read More about Procession. [Oil and enamel on steel].

The Clergy. [Oil on steel] (2018)
Physical Artefact
GILMOUR, L. 2018. The clergy. [Oil on steel]. Hosted on Lyndsey Gilmour's webpage. Available from: https://lyndseygilmour.com/

This painting explores shape and form in relation to the two-dimensional 'flatness' of painting. The painting is on steel and is ideally hung using countersunk magnets to ensure it is displayed at a 1mm depth from the wall. This was exhibited at the... Read More about The Clergy. [Oil on steel].

Hang on, dear life. [Oil on steel] (2017)
Physical Artefact
GILMOUR, L. 2017. Hang on, dear life. [Oil on steel]. Hosted on Lyndsey Gilmour's webpage. Available from: https://lyndseygilmour.com/

This was exhibited at 83rd London Group Open, part 1, 8-17 November 2017 at the Cello Factory, London. This is oil painting on steel and measures 42cm x 27cm x 0.01cm.

Radiated. [Mixed] (2017)
Physical Artefact
GILMOUR, L. 2017. Radiated. [Mixed]. Hosted on Lyndsey Gilmour's webpage. Available from: https://lyndseygilmour.com/222-2/

This installation is pigment on unfired clay with string, screws and wood. It was exhibited at Inside the Shadow, 7-29 April 2017, ARTHOUSE1, London. The work was made in response to one of the architectural fixings, and shadows that it cast, in the... Read More about Radiated. [Mixed].

Life and death in art. [Mixed] (2017)
Physical Artefact
GILMOUR, L. 2017. Life and death in art. [Mixed]. Hosted on Lyndsey Gilmour's webpage. Available from: https://lyndseygilmour.com/222-2/

This installation is a wooden object on a wall, painted with oil and household paint. It was exhibited at Inside the Shadow, 7-29 April 2017, ARTHOUSE1, London.

Things in their place. [Mixed] (2017)
Physical Artefact
GILMOUR, L. 2017. Things in their place. [Mixed]. Hosted on Lyndsey Gilmour's webpage. Available from: https://lyndseygilmour.com/222-2/

This installation consists of oil, household and enamel paint on found objects on a wall. It was exhibited at Inside the Shadow, 7-29 April 2017, ARTHOUSE1, London.

Yellow and black with green stripes. [Oil on steel] (2016)
Physical Artefact
GILMOUR, L. 2016. Yellow and black with green stripes. [Oil on steel]. Hosted on Lyndsey Gilmour's webpage. Available from: https://lyndseygilmour.com/

This painting was exhibited at Fly 2016, 3-27 December 2016 at the Royal Scottish Academy building, Edinburgh. This work was driven by theories around semiotics and ideas around interpretation through the depiction of two distinct objects, drawing co... Read More about Yellow and black with green stripes. [Oil on steel].

Ill wind. (2014)
Physical Artefact
HENDERSON, D. 2014. Ill wind. [Watercolour].

This watercolour is a response to the changing weather patterns experienced by Aberdeen in recent years, with storm force winds causing havoc. David Henderson is the recipient of this year's David Gluck Memorial Award for this work, which was exhibit... Read More about Ill wind..

End of part 1. [Oil on steel] (2014)
Physical Artefact
GILMOUR, L. 2014. End of part 1. [Oil on steel].

This painting was exhibited at Fully awake 3:5 [Exhibition]. Exhibition held on 3-14 September 2014, Dyson Gallery, London. ‘Fully Awake’ is a cycle of exhibitions involving academics, artists and art educators in the UK. It was staged across 5 venue... Read More about End of part 1. [Oil on steel].

Fade away and radiate. (2007)
Physical Artefact
BUCKLEY, J. 2007. Fade away and radiate. [Lighting installation].

This installation was commissioned as part of the SlowSpace FastPace exhibition, which occurred during the Art Trail Visual Arts Festival in September 2007, in Cork (Ireland). The installation was added to the Firkin Crane building.

Portfolio 2001-2007. (2007)
Physical Artefact
AGNEW, M. 2007. Portfolio 2001-2007. [Prints].

These works were created by Michael Agnew between 2001 and 2007 as part of the annual 'Portfolio' project. The project is led by Michael Agnew and Lennox Dunbar, and seeks to provide students with a first hand understanding of the curation, productio... Read More about Portfolio 2001-2007..

Knightlights. (2007)
Physical Artefact
BUCKLEY, J. 2007. Knightlights. [Lighting installation].

This installation was commissioned by the IDEAS in Public Space project. It was installed on Knightstone Island, Weston-super-Mare.

You have forgotten why you asked us here; we cannot remember why we came. (2006)
Physical Artefact
TATHAM, J. and O'SULLIVAN, T. 2006. You have forgotten why you asked us here; we cannot remember why we came. [Sculptures].

This work was commissioned for the exhibition 'Try Again, Fail Again', part of Momentum: the 4th Nordic Biennale, 2 September - 15 October 2006, Moss Bryggeri Utstillinshall (and other venues), Norway. This commission is one within a sequence of piec... Read More about You have forgotten why you asked us here; we cannot remember why we came..

Aberdeen Dada siegt (folio no. (2006)
Physical Artefact
AGNEW, M. 2006. Aberdeen Dada siegt (folio no. 4). [Print].

The above work explores how ideas can be initially generated, bringing together icons and imagery from a variety of different sources, further developing this information into compositions and finally selecting an appropriate arrangement to be made a... Read More about Aberdeen Dada siegt (folio no..

A routine sequence of external actions. (2005)
Physical Artefact
TATHAM, J. and O'SULLIVAN, T. 2005. A routine sequence of external actions. [Sculptures].

A Routine Sequence Of External Actions was commissioned for the exhibition 'Scotland and Venice: Selective Memory' at the 51st Venice Biennale, 9 June - 6 November 2005. The occasion of the Venice Biennale provided a salient context within which to c... Read More about A routine sequence of external actions..

Delicate structures / Centre spot. (2005)
Physical Artefact
DUNBAR, L. 2005. Delicate structures / Centre spot. [Prints].

This pair of works explore issues of place, the artist's working context being rural and remote from mainstream artistic centres. Delicate Structures and Centre Spot are comments on the changing landscape of the north east of Scotland, from rural to... Read More about Delicate structures / Centre spot..

A Scottish tale / The inevitable. (2005)
Physical Artefact
DUNBAR, L. 2005. A Scottish tale / The inevitable. [Prints].

This pair of works were invited by publisher Benjamin Rinehart from the Center of Book Arts in New York, as part of a limited edition print portfolio titled, 'School Days: Cafeteria Plan'. The prints were submitted in a three-dimensional format, cons... Read More about A Scottish tale / The inevitable..

Chameleon. (2004)
Physical Artefact
BUCKLEY, J. 2004. Chameleon. [Lighting installation].

This installation was part of the EcoMetro Exhibition that occurred during the Gwangju Biennale. It was installed in one of the subway trains and in the Geumnamro-4 station in Gwangju, Korea.

Slinky tower. (2004)
Physical Artefact
BUCKLEY, J. 2004. Slinky tower. [Lighting installation].

This artwork was commissioned by the New Royal Aberdeen Children's Hospital as part of the hospital's arts project.

Scenes from a northern art school. (2003)
Physical Artefact
CRANSTON, A. 2003. Scenes from a northern art school. [Paintings].

A series of paintings of studios within Gray's School of Art at Robert Gordon University in Aberdeen. Done in situ, observing specific locations, they serve as universal signifiers. The paintings were exhibited as part of a group exhibition, 'Albatro... Read More about Scenes from a northern art school..