What poetry does best: the Harrisons' poetics of being and acting in the world. (2016)
Book Chapter
DOUGLAS, A. and FREMANTLE, C. 2016. What poetry does best: the Harrisons' poetics of being and acting in the world. In Harrison, H.M. and Harrison, N. (eds.) The time of the force majeure: after 45 years counterforce is on the horizon. Grantham: Prestel.

Simply paying attention guarantees the transformation from a nature supposedly asleep to the work that displays nature's strange vitality. Art is what attention makes with nature. This observation by Michel De Certeau, noted French philosopher of the... Read More about What poetry does best: the Harrisons' poetics of being and acting in the world..

Inconsistency and contradiction: lessons in improvisation in the work of Helen Mayer Harrison and Newton Harrison. (2016)
Book Chapter
DOUGLAS, A. and FREMANTLE, C. 2016. Inconsistency and contradiction: lessons in improvisation in the work of Helen Mayer Harrison and Newton Harrison. In Brady, J. (ed.) Elemental: an arts and ecology reader. Manchester: Gaia Project Press, [online]. Available from: https://www.cornerhousepublications.org/publications/elemental-an-arts-and-ecology-reader-gaia-project/

The essay draws out the learning from the authors' analysis of the practice of Helen Mayer Harrison (1927-2018) and Newton Harrison (b.1932), collectively known as 'the Harrisons'. Inconsistency and contradiction are conventionally eliminated in rese... Read More about Inconsistency and contradiction: lessons in improvisation in the work of Helen Mayer Harrison and Newton Harrison..

Walking in unquiet landscapes: layers of human settlements in the hills of Aberdeenshire. (2016)
Newspaper / Magazine
DOUGLAS, A. and FREMANTLE, C. 2016. Walking in unquiet landscapes: layers of human settlements in the hills of Aberdeenshire. Tate etc., 36, pages 94-95.

Other traditions run through depictions of the British landscape, below and beyond romantic idealisations. Here, Anne Douglas and Chris Fremantle trace the layers of human settlements in the hills of Aberdeenshire.

The graphic line: an event in its own material. (2014)
Presentation / Conference Contribution
DOUGLAS, A. and RAVETZ, A. 2014. The graphic line: an event in its own material. Presented at the Making traces symposium, 19-22 November 2014, Odense, Denmark.

Amanda Ravetz is a film maker and anthropologist. Anne Douglas is a visual artist with a background in sculpture. For the past couple of years, they have been collaborating together as associates in Tim Ingold's research project, exploring drawing in... Read More about The graphic line: an event in its own material..

The artist as leader: research report. (2009)
Report
DOUGLAS, A. and FREMANTLE, C. 2009. The artist as leader: research report. Aberdeen: Robert Gordon University [online]. Available from: https://doi.org/10.48526/rgu-wt-247882

Leadership, along with creativity, is increasingly considered to be one of the important drivers of economic success, as articulated in the Cox Review (2005). Most of the Leadership programmes in the cultural sector (Clore Leadership Programme, Cultu... Read More about The artist as leader: research report..

Jane Jacobs and the nature of (practice and research) work in public. (2009)
Presentation / Conference Contribution
DOUGLAS, A. and FREMANTLE, C. 2009. Jane Jacobs and the nature of (practice and research) work in public. Presented at Public and participative art: performance in everyday life, 14-15 December 2009, Helsinki, Finland.

Jacobs argues that economies follow the same rules as ecological systems. They behave in the same way as systems in nature: as dynamic systems of interdependency. The core of Jacobs' argument is energy, whether it is manifest in ecological systems or... Read More about Jane Jacobs and the nature of (practice and research) work in public..

Breaking through the aesthetics of public art. (2008)
Presentation / Conference Contribution
DOUGLAS, A. and FREMANTLE, C. 2008. Breaking through the aesthetics of public art. Presented at Sensuous knowledge 5 (SK5): questioning qualities, 2008, Bergen, Norway.

Our research is concerned with the changing nature of public art. We work with the experience of making art, drawing on articulations of process developed by artists themselves as well as theorists and historians. We also create interventions with ot... Read More about Breaking through the aesthetics of public art..

Research papers: leading through practice. (2007)
Journal Article
DOUGLAS, A. and FREMANTLE, C. (eds.) 2007. Research papers: leading through practice. a-n magazine [online], 2007(3), supplement. Available from: https://www.a-n.co.uk/tag/leading-through-practice.

Artist as Leader is a programme that aims to understand the ways artists lead through their practice with a view to informing and developing a critical understanding of the role of creativity in culture. There are two complimentary parts to the Artis... Read More about Research papers: leading through practice..

When is the artist a creative leader? A provisional framework. (2006)
Presentation / Conference Contribution
DOUGLAS, A. and FREMANTLE, C. 2006. When is the artist a creative leader? A provisional framework. Presented at the Creative rural industries conference: the arts and rural regeneration, 10-13 September 2006, Lancaster, UK.

Ian Hunter, in the "New Rural Arts Strategy", provides us with a framework for thinking about regeneration, by drawing deeply from rural culture - both its traditions as well as the challenges that are posed to it by social, cultural and environmenta... Read More about When is the artist a creative leader? A provisional framework..

An ecology of practice in the everyday: leaving the (social) ground of (artistic) intervention more fertile. (2005)
Presentation / Conference Contribution
DOUGLAS, A. and FREMANTLE, C. 2005. An ecology of practice in the everyday: leaving the (social) ground of (artistic) intervention more fertile. Presented at Sensuous knowledge 2 (SK2): aesthetic practice and aesthetic insight, November 2005, Bergen, Norway.

This paper reviews the projects that fed into the On the Edge research programme between 2001-2004. Jane Jacobs’ The Nature of Economies (2000) offers an account of economies, based on the way energy operates and is transformed in ecosystems. The aut... Read More about An ecology of practice in the everyday: leaving the (social) ground of (artistic) intervention more fertile..

The dynamic of the edge: practice led research into the value of the arts in marginal spaces. (2004)
Presentation / Conference Contribution
DOUGLAS, A., FREMANTLE, C. and DELDAY, H. 2004. The dynamic of the edge: practice led research into the value of the arts in marginal spaces. Presented at Sensuous knowledge 1 (SK1): creating a tradition, 26-28 October 2004, Solstrand, Norway.

This paper articulates an approach to art and design practice that questions two fundamental assumptions: firstly, it is not framed by the creative practice of an individual artist delivering an authored artwork to a public or audience; secondly, it... Read More about The dynamic of the edge: practice led research into the value of the arts in marginal spaces..