Proceedings of the 4th Working in public seminar: a public conversation. (2007)
Presentation / Conference Contribution
ON THE EDGE RESEARCH. 2007. Proceedings of the 4th Working in public seminar: a public conversation, September 2007, Edinburgh, UK [online]. Available from: https://ontheedgeresearch.org/s-4

This seminar was the culmination of four seminars, Working in Public, funded by the Scottish Arts Council through a new initiative, Public Art Resources and Research, Scotland. This initiative is to promote excellence and innovation within public art... Read More about Proceedings of the 4th Working in public seminar: a public conversation..

The artist as leader: constructing a national network to support research into the creative competencies of the artist as cultural leader. (2007)
Report
DOUGLAS, A. 2007. The artist as leader: constructing a national network to support research into the creative competencies of the artist as cultural leader. In Arts and Humanities Research Council, Annual report and accounts, 2006-07. London: TSO [online], page 14. Available from: http://www.ahrc.ac.uk/documents/project-reports-and-reviews/ahrc-annual-report-accounts/2006-07

This case study describes how the author is constructing a national network to support research to encourage and enable artists as future leaders.

Summary and reflection: quality and imperfection. (2007)
Presentation / Conference Contribution
DOUGLAS, A. 2007. Summary and reflection: quality and imperfection. In Proceedings of the 3rd Working in public seminar: quality and imperfection, 19-20 June 2007, Inverness, UK [online]. Available from https://ontheedgeresearch.org/s-3

In embarking on Working in Public, we started out with an implicit assumption that criteria for judging quality in art in the gallery and museum were widely understood and broadly agreed, whereas quality of art in the public sphere was less well unde... Read More about Summary and reflection: quality and imperfection..

Proceedings of the 3rd Working in public seminar: quality and imperfection. (2007)
Presentation / Conference Contribution
ON THE EDGE RESEARCH. 2007. Proceedings of the 3rd Working in public seminar: quality and imperfection, 19-20 June 2007, Inverness, UK [online]. Available from: https://ontheedgeresearch.org/s-3

We explored some of the ethical and artistic implications of veiwing the idea of public as a living process of forming of different publics in response to specefic circumstances and through discrete modes of address. How might ethics be judged in the... Read More about Proceedings of the 3rd Working in public seminar: quality and imperfection..

Representation and power: a critical reflection. (2007)
Presentation / Conference Contribution
DOUGLAS, A. 2007. Representation and power: a critical reflection. In Proceedings of the 2nd Working in public seminar: representation and power, 22-23 May 2007, Glasgow, UK [online]. Available from https://ontheedgeresearch.org/s-2

The thematic area - Power and Representation emerged in our discussions with Suzanne Lacy as an issue that framed tensions within the Oakland projects' specifically, as well having relevance beyond Oakland. These tensions included the artist's role i... Read More about Representation and power: a critical reflection..

Proceedings of the 2nd Working in public seminar: representation and power. (2007)
Presentation / Conference Contribution
ON THE EDGE RESEARCH. 2007. Proceedings of the 2nd Working in public seminar: representation and power, 22-23 May 2007, Glasgow, UK [online]. Available from: https://ontheedgeresearch.org/s-2

This seminar explored power in relation to the authority of the artist, institutional authority and authority as individual. In each of these situations the issue of representation was closely linked to how power might be taken and used to develop ne... Read More about Proceedings of the 2nd Working in public seminar: representation and power..

Aesthetics and ethics of working in public art: a summary. (2007)
Presentation / Conference Contribution
DOUGLAS, A. 2007. Aesthetics and ethics of working in public art: a summary. In Proceedings of the 1st Working in public seminar: aesthetics and ethics of working in public, 27-28 March 2007, Aberdeen, UK [online]. Available from: https://ontheedgeresearch.org/seminar-1

The hunch behind Working in Public is that art now exists in the public sphere in unprecedented ways. Working in Public aims therefore to open up greater uncertainty in what we think art is and to provoke more thoughtful and creative responses to wha... Read More about Aesthetics and ethics of working in public art: a summary..

Proceedings of the 1st Working in public seminar: aesthetics and ethics of working in public. (2007)
Presentation / Conference Contribution
ON THE EDGE RESEARCH. 2007. Proceedings of the 1st Working in public seminar: aesthetics and ethics of working in public, 27-28 March 2007, Aberdeen, UK [online]. Available from: https://ontheedgeresearch.org/seminar-1

The seminar drew discussion through a range of questions: How we might determine what is art and what is not art? When and where is it appropriate for the artist to speak for others? When art is camouflaged in every day activity, how might we underst... Read More about Proceedings of the 1st Working in public seminar: aesthetics and ethics of working in public..

Research papers: leading through practice. (2007)
Journal Article
DOUGLAS, A. and FREMANTLE, C. (eds.) 2007. Research papers: leading through practice. a-n magazine [online], 2007(3), supplement. Available from: https://www.a-n.co.uk/tag/leading-through-practice.

Artist as Leader is a programme that aims to understand the ways artists lead through their practice with a view to informing and developing a critical understanding of the role of creativity in culture. There are two complimentary parts to the Artis... Read More about Research papers: leading through practice..

When is the artist a creative leader? A provisional framework. (2006)
Presentation / Conference Contribution
DOUGLAS, A. and FREMANTLE, C. 2006. When is the artist a creative leader? A provisional framework. Presented at the Creative rural industries conference: the arts and rural regeneration, 10-13 September 2006, Lancaster, UK.

Ian Hunter, in the "New Rural Arts Strategy", provides us with a framework for thinking about regeneration, by drawing deeply from rural culture - both its traditions as well as the challenges that are posed to it by social, cultural and environmenta... Read More about When is the artist a creative leader? A provisional framework..

'Close' as a construct to critically investigate the relationship between the visual artist and the everyday. (2006)
Thesis
DELDAY, H. 2006. 'Close' as a construct to critically investigate the relationship between the visual artist and the everyday. Robert Gordon University, PhD thesis.

This research proposes and develops a critical framework - a 'matrix' to make sense of the artistic process from the practitioner's perspective. It draws from the research of de Certeau into everyday culture and the art historical discourse of Bourri... Read More about 'Close' as a construct to critically investigate the relationship between the visual artist and the everyday..

An ecology of practice in the everyday: leaving the (social) ground of (artistic) intervention more fertile. (2005)
Presentation / Conference Contribution
DOUGLAS, A. and FREMANTLE, C. 2005. An ecology of practice in the everyday: leaving the (social) ground of (artistic) intervention more fertile. Presented at Sensuous knowledge 2 (SK2): aesthetic practice and aesthetic insight, November 2005, Bergen, Norway.

This paper reviews the projects that fed into the On the Edge research programme between 2001-2004. Jane Jacobs’ The Nature of Economies (2000) offers an account of economies, based on the way energy operates and is transformed in ecosystems. The aut... Read More about An ecology of practice in the everyday: leaving the (social) ground of (artistic) intervention more fertile..

On the edge: an exploration of the visual arts in remote rural contexts of Northern Scotland. (2005)
Book Chapter
DOUGLAS, A. 2005. On the edge: an exploration of the visual arts in remote rural contexts of Northern Scotland. In Miles, M. and Hall, T. (eds.) Interventions: art in the public sphere. Advances in art and urban features, 4. Bristol: Intellect, pages 89-106.

This case study is a programme of five visual art projects in Northern Scotland with five regional partners that have come about through a research framework. It demonstrates aspects of the dynamic of intervention largely focused by conversation betw... Read More about On the edge: an exploration of the visual arts in remote rural contexts of Northern Scotland..

How might we revalue traditional ways of making? (2004)
Book
DOUGLAS, A. 2004. How might we revalue traditional ways of making? A research project revaluing Shetland knitting. Essay accompanying Douglas, A. (ed.) Maakin Lab. Aberdeen: Robert Gordon University.

The Maakin Lab project was developed in partnership with the Shetland College Department of Textiles and Design, On the Edge research and artist Susan Benn of PAL. The research challenge offered up by the project partners was how to revalue tradition... Read More about How might we revalue traditional ways of making?.

Maakin Lab [online]. (2004)
Digital Artefact
MAAKIN LAB. 2004. Maakin Lab [online]. Available from: http://www.maakinlab.org/

The Maakin Lab project was developed in partnership with the Shetland College Department of Textiles and Design, On the Edge research and artist Susan Benn of PAL. The research challenge offered up by the project partners was how to revalue tradition... Read More about Maakin Lab [online]..

Edge FM 87.9 MHz. (2004)
Book
CARTER, P. 2004. Edge FM 87.9 MHz. Aberdeen: Robert Gordon University.

Edge FM was developed in partnership with the Museum of Scottish Lighthouses, Fraserburgh, On the Edge Research and the artist, Paul Carter. The research challenge offered up by the project partners was to find a way of drawing young people living lo... Read More about Edge FM 87.9 MHz..

Celestial ceiling: contemporary art, built heritage and patronage. (2004)
Book
DOUGLAS, A. (ed.) 2004. Celestial ceiling: contemporary art, built heritage and patronage. Aberdeen: Robert Gordon University.

The Celestial Ceiling project was developed in partnership with Charles Burnett of Duff House, Banff, the Schleiffer family of Cullen House, On the Edge Research and the artists John McGeoch and Robert Orchardson. Duff House, an Adams building, is pa... Read More about Celestial ceiling: contemporary art, built heritage and patronage..

Inthrow. (2004)
Book
DOUGLAS, A. (ed.) 2005. Inthrow. Aberdeen: Robert Gordon University.

Inthrow was developed in partnership with Chris Fremantle of the Scottish Sculpture Workshop, On the Edge Research and lead artist Gavin Renwick. The Scottish Sculpture Workshop (SSW) is based in the rural village of Lumsden, Aberdeenshire. The chall... Read More about Inthrow..

The dynamic of the edge: practice led research into the value of the arts in marginal spaces. (2004)
Presentation / Conference Contribution
DOUGLAS, A., FREMANTLE, C. and DELDAY, H. 2004. The dynamic of the edge: practice led research into the value of the arts in marginal spaces. Presented at Sensuous knowledge 1 (SK1): creating a tradition, 26-28 October 2004, Solstrand, Norway.

This paper articulates an approach to art and design practice that questions two fundamental assumptions: firstly, it is not framed by the creative practice of an individual artist delivering an authored artwork to a public or audience; secondly, it... Read More about The dynamic of the edge: practice led research into the value of the arts in marginal spaces..

Adjusting sensibilities: researching artistic value 'on the edge'. (2003)
Presentation / Conference Contribution
DOUGLAS, A. and DELDAY, H. 2003. Adjusting sensibilities: researching artistic value 'on the edge'. Presented at the 5th International conference of the European Academy of Design (EAD 05): techné: design wisdom, 28-30 April 2003, Barcelona, Spain [online]. Available from: http://www.ub.edu/5ead/PDF/3/DouglasDelday.pdf

An understanding of the relationship between systems of production and systems of value in the visual arts is essential to the production of new sustainable approaches to creativity. Contexts for working situated on the margins such as remote rural l... Read More about Adjusting sensibilities: researching artistic value 'on the edge'..